The White Crow (2018)
Art and politics are uneasy bedfellows in The White Crow, David Hare’s story of ballet and defection, a directorial debut for Ralph Fiennes. The…
Read MoreSam Moore
BFI LFF Review: The White Crow (2018)
★★★☆☆
Art and politics are uneasy bedfellows in The White Crow, David Hare’s story of ballet and defection, a directorial debut for Ralph Fiennes.
BFI LFF Review: The Guilty (2018)
★★★★☆
Truth and justice clash in The Guilty (Den skyldige), Gustav Möller’s claustrophobic thriller , where no-one can walk away with their innocence intact.
BFI LFF Review: Crystal Swan (2018)
★★★★☆
The female-centric team of director Darya Zhuk, co-screenwriter Helga Landauer and cinematographer Carolina Costa give Alina Nasibullina a Madonna-esque starring role in post-Soviet black comedy Crystal Swan (Khrustal).