Village At The End Of The World (2012)
★★★★☆
Husband and wife team Sarah Gavron and David Katznelson bring the Village At The End Of The World into the limelight of global warming and globalisation.
Wilshin
Gimme The Loot (2012)
★★★☆☆
Taking on the American dream in the Bronx, Adam Leon’s Gimme The Loot walks the highline from fading dreams to blossoming romance.
I’m So Excited / Los Amantes Pasajeros (2013)
★★★☆☆
Cross check and doors to manual, Almodóvar’s I’m So Excited smuggles camp humour onboard a plane heading into disaster. Only the sky’s the limit.
In The Fog / V Tumane (2012)
★★★★☆
Waiting for God, death and peacetime, Sergei Loznitsa’s In The Fog explores innocence, doubt and guilt transformed by war.
White Elephant / Elefante Blanco (2012)
★★★☆☆
A homage to the men of the cloth fighting poverty in Argentina, Pablo Trapero’s White Elephant explores the moral murk and courage of the missionary position.
Rebellion / L’Ordre et la Morale (2011)
★★★★☆
Restoring law and order in the South Pacific, Mathieu Kassovitz’s Rebellion is a war of words, bullets and cynical politicians.
Love Is All You Need / Den Skaldede Frisør (2012)
★★★★☆
A rom-com for realist romantics, Susanne Bier’s Love Is All You Need sees love blossom alongside life’s trials and tribulations.
Flying Blind (2012)
★★★☆☆
A woman in a man’s world, Katarzyna Klimkiewicz’s debut feature Flying Blind exposes the vulnerable face of a woman in love.
Papadopoulos & Sons (2012)
★★☆☆☆
Like a Greek hero of yore, Marcus Markou is taking on the economic crisis single-handedly with Papadopoulos & Sons, his fleecy, feel-good, culture-clash comedy.
In The House / Dans La Maison (2012)
★★★★☆
Of schoolboy crushes and French assignments, François Ozon’s labyrinthine In The House is an intricate maze of fiction and reality worth getting lost in.
Post Tenebras Lux (2012)
★★★☆☆
A semi-autobiographic patchwork of family, sex and violence, Carlos Reygadas’s Post Tenebras Lux casts a distorted view over his own past, present and future.
Compliance (2012)
★★★☆☆
Based on real events, Craig Zobel’s Compliance is a disturbing foray into civic obedience, gullibility and the limits of compassion.
The Paperboy (2012)
★★★★☆
Exposing Sixties race relations in the sultry heat of a Florida summer, Lee Daniels’ The Paperboy is a hothouse of lust and violence.
Michael H Profession Director (2013)
★★☆☆☆
Breaking the silence in his documentary Michael H. Profession: Director Yves Montmayeur unpicks the Austrian director’s quest for violent truth and beauty.