Café de Flore (2011)
★★★★☆
Twisting through two love stories in Sixties’ Paris and modern Montreal, Jean-Marc Vallée’s Café de Flore is a devastating tornado of story and image.
Wilshin
Beloved / Les Bien-Aimés (2011)
★★★☆☆
A razzledazzle musical reprise of Man At Bath, Christophe Honoré’s Beloved is a fractured but enjoyable romp through the swinging Sixties and the nervous Noughties.
Elles (2011)
★★★★☆
A devastating bedroom battle of the sexes, Malgorzata Szumowska’s Elles offers a glimpse into the secret lives of women behind closed doors.
This Must Be The Place (2011)
★★★★☆
His first English language feature, Paolo Sorrentino’s This Must Be The Place turns the U-turn into a narrative art as a has-been popstar turns Nazi-hunter.
Headhunter / Hodejegerne
★★★★☆
Based on the bestselling novel by Jo Nesbø, Headhunters is a taut Norwegian thriller of slick art thefts, aggressive male rivalry and big inferiority complexes.
Wild Bill (2011)
★★★☆☆
Set in Stratford’s badlands, Dexter Fletcher’s debut feature Wild Bill has Olympian dreams of turning a wayward father into a family hero. So very London 2012.
Babycall (2011)
★★★☆☆
Pål Sletaune’s Babycall is a hall of ghostly mirrors and fantasy reflections as a mother and victim of domestic abuse tries to keep a fracturing reality together.
Once Upon A Time In Anatolia / Bir Zamanlar Anadolu’da (2011)
★★★★☆
An epic night-time police investigation, Nuri Bilge Ceylan’s Once Upon A Time In Anatolia exhumes an inconvenient truth from the soul’s darkest recesses.
Trishna (2011)
★★★★☆
Reinventing Hardy’s Tess Of The d’Urbervilles in a colourful India in its own glorious revolution, Michael Winterbottom’s Trishna is a bitter fall from grace.
A Man’s Story (2010)
★★★☆☆
Filmed over 12 years, Varon Bonicos’s A Man’s Story is more than a bio-doc on Ozwald Boateng, it’s a sharp look at the essence of the man.
The Woman In The Fifth (2011)
★★★☆☆
Filmed in French, English and Polish, Pawel Pawlikowski’s The Woman In The Fifth offers a uniquely European look at love, literature and lunacy.
Michael (2011)
★★★★☆
With echoes of Michael Haneke, the Austrian master’s casting director Markus Schleinzer has us on a knife-edge with his paedophilia drama Michael.
Khodorkovsky (2011)
★★★☆☆
From oligarch to the Siberian gulag, Cyril Tuschi’s documentary Khodorkovsky shines a light on Russia’s murky politics and its most infamous dissident. Oh, those Russians.
Film Festival: The 62nd Berlin Film Festival – Berlinale 2012
Berlinale 2012 CAUTION: Here be spoilers After winning the Palme d’Or at Cannes in 1977 for Padre Padrone and the Grand Prix du Jury…
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