Side Effects (2013)
★★★☆☆
With nods to Hitchcock and Clouzot, Steven Soderbergh’s Side Effects takes on the pharmaceutical industry and the doctors risking it all on wages of fear.
★★★☆☆
With nods to Hitchcock and Clouzot, Steven Soderbergh’s Side Effects takes on the pharmaceutical industry and the doctors risking it all on wages of fear.
★★★☆☆
On location, language and love in a time of change, Aditya Assarat’s Hi-So uncovers Thailand after the tsunami.
★★★☆☆
With its loose strands of lonely souls looking for love, Terrence Malick’s To The Wonder reaches for the stars with his poetry of image.
★★★★☆
Set in 1945 in a Germany coming to terms with defeat, Cate Shortland’s Lore is an intimate and evocative portrait of lost innocence.
★★★☆☆
Dylan Mohan Gray’s edifying documentary Fire In The Blood pays tribute to those who brought down the multinationals and brought an end to Africa’s AIDS crisis.
With a jury headed up by Wong Kar Wai, the 63rd Berlin Film Festival rewards Eastern Europe, female protagonists and male directors. Eastern Promise…
Read More★★★★☆
Through the testimony of signing victims, Alex Gibney’s documentary Mea Maxima Culpa Silence In The House Of God lifts the lid on Church secrecy and child abuse.
★★★★☆
Televising the revolution, Pablo Larrain’s No puts advertising and happiness at the heart of Chile’s campaign to depose Pinochet.
★★★☆☆
Seventeen short films about Graham Chapman, A Liar’s Autobiography offers a kaleidoscopic view of the legendary gay and alcoholic Python.
★★★★★
With a tour-de-force and muscle-bound performance from Matthias Schoenaerts, Michaël R. Roskam’s debut feature Bullhead puts masculinity on trial in Belgium.
★★★★☆
Released barely a year and a half after the capture and killing of Osama bin Laden, Kathryn Bigelow’s Zero Dark Thirty rides high on a wave of political currency.
As 2012 fades from sight as quickly as corroding celluloid, a final round-up of the best and worst of 2012 and those to look…
Read More★★★★☆
A colourful journey through India’s rich history, Deepa Mehta’s Midnight’s Children is a beautiful adaptation of Rushdie’s unfilmable novel, vibrant and beguiling.
★★★☆☆
Transporting Tolstoy to Los Angeles, Bernard Rose’s Boxing Day is an entirely unfestive Christmas carol on altruism and greed.