BFI LFF: Félicité (2017)
★★★★☆
The (African) portrait of a lady, Alain Gomis’ Félicité is a dazzling, vibrant depiction of Africa, womanhood and dreams of a life.
★★★★☆
The (African) portrait of a lady, Alain Gomis’ Félicité is a dazzling, vibrant depiction of Africa, womanhood and dreams of a life.
★★☆☆☆
A clarion call against the mistreatment of animals and the hunting confederacy of men, against Agnieszka Holland’s Spoor loses its way in the snowy mountains.
★★★★☆
Sodom is an impressive, assured, thought-provoking debut for writer/director Mark Wilshin.
Far From Men [rating=3] Freely adapted from Albert Camus’ The Guest, David Oelhoffen’s Far From Men stars Viggo Mortensen as the pied noir schoolteacher…
Read More★★★☆☆
Uncovering Josef Mengele’s hideout in Argentina, Lucía Puenzo’s The German Doctor struggles to make a monster of the Angel of Death.
★★☆☆☆
A Jewish caper in New York, John Turturro’s Fading Gigolo finds its gentle comedy in a star-studded Manhattan romance.
★★★★★
The beautifully lensed story of one woman’s journey through the heat and dust, John Curran’s Tracks is an inspiring expedition into the dead heart of Australia.
★★☆☆☆
Centred around a modernist house in West London, Joanna Hogg’s Exhibition exposes art, womanhood, relationships and architectural space.
★★★★☆
Following in the footsteps of a Roma family struggling to survive, Danis Tanovic’s An Episode In The Life Of An Iron-Picker finds the documentary in fiction.
★★★☆☆
Baking up Israel’s lighter side in this goofy Eurovision parody, Eytan Fox’s Cupcakes is a sweet celebration of the power of camp.
★★★☆☆
Of loneliness and low-lives in the slums of Lisbon, Basil da Cunha’s intimate community portrait After The Night brings neo-realism into the 21st century.
★★★★☆
With Tom Hardy single-handedly driving the film and Steven Knight’s dirty, pretty script at the wheel, Locke is an elegant one-hander of life in the fast lane.
★★★☆☆
Bringing to light the sexual blossoming of American poet Elizabeth Bishop in Brazil, Bruno Barreto’s Reaching For The Moon loses its way in an overload of story.
★★★☆☆
With its story of a good priest getting ready to meet his maker, John Michael McDonagh’s Calvary puts the Catholic Church on trial.