London Film Festival 2014: The Drop
A superb performance from Tom Hardy and a cast of intriguing supporting characters saves this often rudderless New York based crime drama from the drop.
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London Film Festival 2014: Men, Women And Children
Jason Reitman’s incisive slice of modern suburbia is a sad, humourous and painfully relevant snapshot of our subservience to social media.
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Wish I Was Here (2014)
★★★☆☆
Zack Braff stars in a tear-jerking comedy which shows that trying to follow your dreams and coming to terms with real life may not be incompatible after all.
Life Of Crime (2013)
★★★☆☆
A strangely off-kilter edit hinders an otherwise enjoyable film, but clever dialogue and pitch-perfect performances ensure Life Of Crime is worth your time.
Night Moves (2013)
★★★★☆
Unrelentingly tense from start to finish, Night Moves is a superbly crafted character-driven drama that maintains its stranglehold on your anxiety from start to finish.
The Internet’s Own Boy: The Story Of Aaron Swartz (2014)
★★★★☆
Compelling, terrifying and timely, The Internet’s Own Boy highlights the tragedy of Aaron Swartz’s death and the brutish power of the US Government in the face of political activism.
Lucy (2014)
★★★★☆
Scarlett Johansson’s exciting and eclectic career choices continue with Lucy, a big, brazen, bonkers Besson film.
Welcome to New York (2014)
★★★★☆
Abel Ferrara’s thinly veiled reconstruction of the colourful downfall of former World Bank head Dominique Strauss-Kahn after his fateful encounter with a New York chambermaid.
Joe (2013)
★★★☆☆
Dark and uncompromisingly grim, David Gordon Green’s Joe is a wicked Southern Gothic tale of violence and vice in the heart of the Deep South.
Finding Vivian Maier (2013)
★★★☆☆
Exposing the tremendous work of a nanny-photographer undiscovered in her lifetime, John Maloof and Charlie Siskel’s Finding Vivian Maier uncovers a very private life lived in public places.
Boyhood (2014)
★★★★★
Richard Linklater’s intimate portrayal of growing up is an intoxicating combination of humour, melancholy and unbridled hope that will mean something to everyone.
Cold In July (2014)
★★★★☆
A rich, pulpy, synth-infused southern thriller, Jim Mickle’s Cold In July is a brutish neo-noir homage to the cult classics of old.
Fruitvale Station (2013)
★★★★☆
The powerfully dramatised true story that recreates the last day of a 22-year-old black man, Oscar Grant, shot by railway police in the San Francisco Bay area on New Year’s Day 2009.