Festival Review: Soy Nero (2016)
★★☆☆☆
Following a Mexican teenager on his journey from immigrant to green card holder, Rafi Pitts’ Soy Nero seethes with palpable discomfort.
USA
Trumbo (2015)
★★★★☆
Hollywood eats itself in Jay Roach’s comprehensively entertaining biopic of screenwriter Dalton Trumbo, earning Bryan Cranston an Oscar nomination.
The Big Short (2015)
★★★★☆
Fast-paced comedy-drama about the global financial crash, Adam McKay’s The Big Short makes brilliant entertainment out of a true story of men behaving madly.
The Revenant (2015)
★★★★☆
An electrifying and gripping tale of one man’s journey back from the dead, Alejandro González Iñárritu’s The Revenant finds an unexpectedly spiritual side to revenge.
Grandma (2015)
★★★★☆
A lot of fun with an emotional punch, Paul Weitz’s Grandma is an Oscar-worthy tour de force for Lily Tomlin as a rambunctious lesbian feminist grandmother.
Festival Review: Steve Jobs (2015)
★★★★☆
A binary biopic of the computer genius and flawed man, Danny Boyle’s Steve Jobs is a dazzling, moving tale of the digital revolution.
Festival Review: Take Me To The River (2015)
★★★☆☆
A Californian family comes head to head with its Nebraskan relatives in Matt Sobel’s debut feature Take Me To The River is an indie tale of sexual dysfunction.
Festival Review: Green Room (2015)
★★★☆☆
Carving out his own genre of trapped men fighting for survival, Jeremy Saulnier’s taut, gruesome and suspenseful Green Room pulls no punches.
Festival Review: Krisha (2015)
★★★☆☆
Filmed at home with friends and family, Trey Edward Shults’ Krisha is a Cassavetes-style portrait of recovery and addiction. And much more than a home video.
Festival Review: He Named Me Malala (2015)
★★★☆☆
After An Inconvenient Truth, Davis Guggenheim’s He Named Me Malala brings Malala Yousafzai’s story to the masses. Just a little too easily.
Festival Review: Beasts Of No Nation (2015)
★★★☆☆
A violent exploration of civil war in West Africa, Cary Joji Fukunaga’s Beasts Of No Nation is a powerful portrait of a continent thrown into darkness.
Life (2015)
★★★☆☆
Recreating a brief episode in James Dean’s life, Anton Corbijn’s Life sees the icon on the cusp of fame thanks to a series of photographs for Life magazine.
Manglehorn (2014)
★★★★☆
David Gordon Green’s Manglehorn is a surreal and painfully accurate portrayal of isolation that features the most essential Pacino performance in over a decade.
What Happened, Miss Simone? (2015)
★★★★☆
Charting the rise, fall and rise again of Nina Simone, Liz Garbus’s What Happened, Miss Simone? creates an icon of the High Priestess of Soul.