The Man Who Killed Don Quixote (2018) – ON DEMAND
The Man Who Killed Don Quixote by Terry Gilliam is a confusingly intricate blend of past and present, fiction, reality and filmmaking.
Read MoreThe Man Who Killed Don Quixote by Terry Gilliam is a confusingly intricate blend of past and present, fiction, reality and filmmaking.
Read More★★★★☆
Calm With Horses is a stunning first feature by director Nick Rowland, adapted by screenwriter Joe Murtagh from a short story by Colin Barrett in his Young Skins collection, executive produced by actor Michael Fassbender.
★★★★☆
Oliver Hermanus’ Moffie is a haunting, incisive look at apartheid-era toxic white masculinity.
★★★★☆
Curzon’s Live Q&A series continues with Mark Jenkin, director of Bait hosted by Mark Kermode on Tuesday 31 March.
★★★☆☆
Villain, director Philip Barantini’s feature debut, is an ironically titled, violent slice of old and new crime in the East End, with a dominating performance by Craig Fairbrass.
★★★★☆
Beautiful to look at, clever and funny – that’s Jane Austen’s heroine Emma and also Autumn de Wilde’s adaptation of it – Emma. .
The Personal History of David Copperfield is Armando Iannucci’s quirkily imaginative transformation of Dickens’ novel bringing out its contemporary resonances.
Read More★★★★☆
Owen McCafferty’s sensitive and beautifully observed drama Ordinary Love, starring Lesley Manville and Liam Neeson, is subtly directed by Lisa Barros D’Sa and Glenn Leyburn (Good Vibrations).
★★★★☆
The Two Popes by Fernando Mereilles, starring Anthony Hopkins and Jonathan Pryce, is a sparklingly written, joyfully acted, behind-the-scenes imagining of historic events made personal.
★★★★☆
Judy & Punch by Mirrah Foulkes is a feminist reimagination and reversal of the traditional, violent seaside Punch and Judy puppet show that takes it back its 16th century origins.
★★★★☆
Sorry We Missed you is a coruscating anti-capitalist manifesto from veteran politically engaged filmmaker Ken Loach and his longtime collaborator and screenwriter Paul Laverty.
★★★★☆
Read More★★★★☆
Four films at the BFI London Film Festival paint a thought-provoking picture of British women not ‘having it all’ from teenage. coming of age, adulthood to middle age.
★★★★☆
Fanny Lye Deliver’d by Thomas Clay is a provocative, transgressive story of political, religious and sexual liberation in Puritan times showcasing a powerful performance by Maxine Peake.