45 Years (2014)
★★★★☆
With powerful performances from Tom Courtenay and Charlotte Rampling, Andrew Haigh’s 45 Years looks back in anger on love.
★★★★☆
With powerful performances from Tom Courtenay and Charlotte Rampling, Andrew Haigh’s 45 Years looks back in anger on love.
★★★★☆
A haunting portrait of Sweden’s one and only serial killer, Brian Hill’s The Confessions of Thomas Quick reimagines the collaborative nature of storytelling.
★★★☆☆
An intriguing film debut for playwright Debbie Tucker Green, Second Coming is a thought-provoking allegory of an unexplained pregnancy in contemporary London.
★★★☆☆
A sequel to his Oscar-nominated Hope And Glory, John Boorman’s semi-autobiographic Queen and Country finds all fair in love and war.
★★★☆☆
Written and directed by Guy Myhill, The Goob is a memorable British coming of age drama with an unusually strong sense of place in its rural setting.
★★★★☆
The Impressionists and the Man Who Made Them gives art lovers the chance to learn about the stories behind some of the world’s greatest exhibitions.
★★★☆☆
Picking up the TV series’ espionage story lines, the disgraced head of MI5 goes rogue, hunting a terrorist on the loose and a traitor in ‘the firm’.
★★☆☆☆
Unpicking class tension in the aftermath of the London riots, Simon Blake’s Still blends genres to create a strange yuppies-in-peril gangster-horror hybrid.
★★☆☆☆
As a wave of falling sickness takes over an all-girls school, Carol Morley’s The Falling plucks female empowerment from a maelstrom of teenage desire.
★★★☆☆
Telling the story of Gustav Klimt’s masterpiece, Simon Curtis’ Woman In Gold paints a portrait of Nazi-looted art and its journey back into the right hands.
★★★☆☆
Chris Bouchard’s Hackney’s Finest is a darkly comic caper with much more violence, hard drug taking and serious swearing than you’d expect.
★★★☆☆
Sensitive low-budget British indie Hinterland follows two childhood friends getting to know each other again on a weekend road trip to Cornwall.
★★★☆☆
Drugs and violent crime trigger a surprising religious conversion for a small-time gangster in London’s East End, in a story that reflects a changing urban society.
★★★★☆
A visual extravaganza of the Russian director’s sexual awakening in Mexico, Peter Greenaway’s Eisenstein In Guanajuato is a shameless return to form.