Festival Review: Taxi Tehran (2015)
★★★★☆
Turning the camera upon himself for the third time, Jafar Panahi’s Taxi is a moving portrait of the politics of filming and the filming of politics.
★★★★☆
Turning the camera upon himself for the third time, Jafar Panahi’s Taxi is a moving portrait of the politics of filming and the filming of politics.
★★★☆☆
An ethereal wander through Japanese relationships, Abbas Kiarostami’s Like Someone In Love reveals the clumsy confusion of human communication.
★★★★☆
A Rohmeresque ramble under the Tuscan sun, Kiarostami’s Certified Copy is a freewheeling battle of the sexes. And Juliette Binoche is in a bitter mood for love.