Berlin Film Festival 2014: Day 9
Fathers and sons are the order of the day again today. Starting with Sudabeh Mortezai’s Macondo, which bears a striking thematic resemblance to both…
Read MoreFathers and sons are the order of the day again today. Starting with Sudabeh Mortezai’s Macondo, which bears a striking thematic resemblance to both…
Read More★★★☆☆
A French rom-com set against Paris’ most romantic boulevards, Alexandre Castagnetti’s Love Is In The Air sees passion reignited on the red-eye.
★★★★☆
In a near future dominated by computers, Spike Jonze’s Her sees a lonely man fall in love with his operating system, which understands him better than he does himself.
★★★☆☆
A haunting nightmare in a Parisian dystopia, Claire Denis’ Bastards is an infernal cacophony of sex, blood and broken families.
Masculinity takes charge in today’s Berlinale selection, starting with Ning Hao’s No Man’s Land – a Chinese Western of silent, bone-crunching machismo as a…
Read MoreMaybe it’s me. Or maybe it’s the films. But today’s Competition selection makes for depressingly ambiguous viewing. First there’s Argentinian director Celina Murga’s La…
Read MorePerhaps one of the most enjoyable films so far is Hans Petter Molland’s scandi coproduction In Order Of Disappearance with actors and funding from…
Read MoreIf yesterday was love, then today it’s sin, walking the Via Dolorosa (literally) with Stations Of The Cross and Cavalry as well as mortifying…
Read MoreLove is strange. No, not the Fifties pop song by Mickey and Sylvia, but Ira Sachs’ latest film. Like his previous Keep The Lights…
Read MoreThrough Berlin, Paris, Belfast and New Mexico, today’s Berlinale selection leads us through war, homelessness, redemption and love. Perhaps the best is Yann Demange’s…
Read More★★★☆☆
Unpicking Dickens’ illicit affair with a girl half his age, Ralph Fiennes’ The Invisible Woman brings a strong woman out from behind the novelist’s shadow
★★☆☆☆
Focusing on the minutiae of military life in conflict, The Patrol eschews the crash, bang and wallop of the genre, but in doing so lacks any impact at all.
An iconic black and white classic, Louis Malle’s Lift To The Scaffold is a noirish Parisian tale of murder and suspense which made a star of Jeanne Moreau.
Read MoreThe 64th Berlin Film Festival opens with a giddy ride through Europe’s backwaters tonight with the premiere of Wes Anderson’s long anticipated The Grand…
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