The Lack (2014)
★★★☆☆
Directed by video artists Masbedo, The Lack is a haunting study of absence through the eyes of six desperate women immersed in a silent natural environment.
Reviews
The Mafia Kills Only in Summer / La Mafia Uccide Solo d’Estate (2013)
★★★★☆
Pierfrancesco Diliberto’s The Mafia Kills Only in Summer is an unlikely comedy centred on the bloodshed perpetrated by Sicily’s ruthless Cosa Nostra.
Hinterland (2015)
★★★☆☆
Sensitive low-budget British indie Hinterland follows two childhood friends getting to know each other again on a weekend road trip to Cornwall.
Kumiko, The Treasure Hunter (2014)
★★★★☆
With a delicate, mesmerising performance from Rinko Kikuchi, Kumiko, The Treasure Hunter is a darkly comic tale of misadventure – tragic, odd and uplifting.
Maidan (2014)
★★☆☆☆
Uncompromising in its running time, Sergei Loznitsa’s sedate shooting style renders this potentially remarkable account of civil unrest quite the opposite.
Festival Review: Pioneer Heroes (2015)
★★★☆☆
The portrait of a lost generation, Natalya Kudryashova’s Pioneer Heroes unpicks the disappointment of not living up to those childhood Octoberist dreams.
Festival Review: Dora Or The Sexual Neuroses Of Our Parents (2015)
★★★☆☆
The portrait of a teenage mentally handicapped girl in the first throes of sex, Stina Werenfels’ Dora Or The Sexual Neuroses Of Our Parents comes unhinged.
Festival Review: What Happened, Miss Simone (2015)
★★★★☆
Pieced together out of archive footage, interviews and diaries, Liz Garbus’ What Happened, Miss Simone? makes a soul-stirring melody out of the blues.
Festival Review: Why Me? / De Ce Eu? (2015)
★★★☆☆
More an existential dilemma than a corruption thriller, Tudor Giurgiu’s Why Me? is an important but longwinded tribute to the man who fought the law.
Festival Review: I Am Michael (2015)
★★★☆☆
Charting Michael Glatze’s path from gay poster-boy to Christian pastor, Justin Kelly’s I Am Michael is a confused, emotionless journey back into the closet.
Festival Review: Misfits (2015)
★★★☆☆
A portrait of life for gay and lesbian youth in Tulsa, Jannik Splidsboel’s Misfits explores homophobia and identity in the Bible Belt.
Festival Review: Stories Of Our Lives (2014)
★★★☆☆
A beautifully monochromatic look at LGBT life in Kenya, the NEST Collective’s Stories Of Our Lives is an important history of fear.
Greenery Will Bloom Again / Torneranno i prati (2014)
★★★★☆
A stunning portrait of life in the trenches during the Great War, Ermanno Olmi’s Torneranno i prati is a handsome tribute to loneliness and fear.
Festival Review: Chasuke’s Journey (2015)
★★★☆☆
Despite a promising concept of heavenly screenwriters, Sabu’s Chasuke’s Journey ends in an occasionally visually arresting but hare-brained disappointment.