Festival Review: The Assassin (2015)
★★★☆☆
Glacial beauty with flashes of choreography, Hou Hsiao-Hsien’s The Assassin is a feast for the senses.
★★★☆☆
Glacial beauty with flashes of choreography, Hou Hsiao-Hsien’s The Assassin is a feast for the senses.
★★★★☆
A devastating portrait of life in Auschwitz’ Sonderkommando, László Nemes’ Son Of Saul is a powerful testament of faith.
★★★★☆
A beautiful, haunting monochrome vision of a lost world, Ciro Guerra’s The Embrace Of The Serpent exposes the indigenous peoples at risk from the white man.
★★★☆☆
A neatly observed, fly-on-the-wall documentary on gay parents, Maya Newell’s Gayby Baby adds fuel to the fire of Australia’s hottest topic.
★★★☆☆
With an outstanding performance from Ben Foster, Stephen Frears’ The Program gets bogged down in intricately retelling the rise and fall of Lance Armstrong.
★★★☆☆
The energetic and sassy tale of two transgender hookers in West Hollywood, Sean Baker’s Tangerine takes friendship and revenge to the streets.
★★★☆☆
Adapting JG Ballard’s dystopian novel for the silver screen, Ben Wheatley’s High-Rise is a glamorous reproduction of the Seventies high life.
★★★★☆
Beautifully paced and scripted, Dagur Kári’s Virgin Mountain is the deft tale of an ageing mummy’s boy who finds both love and himself.
★★★★☆
Winning Oscars for his Roman Holiday and The Brave One scripts, Hollywood blacklister Dalton Trumbo becomes an unlikely hero in Jay Roach’s Trumbo.
★★★☆☆
Staging a battle of the sexes in Algiers, Merzak Allouache’s Madame Courage reveals a desperate injustice pervading male and female relationships.
★★★☆☆
After An Inconvenient Truth, Davis Guggenheim’s He Named Me Malala brings Malala Yousafzai’s story to the masses. Just a little too easily.
★★★☆☆
A violent exploration of civil war in West Africa, Cary Joji Fukunaga’s Beasts Of No Nation is a powerful portrait of a continent thrown into darkness.
★★☆☆☆
A German horror film of Berlin clubs and imaginary creatures, Akiz’s Der Nachtmahr is a pulsating delirium of colourful and haunting images.
★★★★☆
A female road-trip with a devastating performance from Lily Tomlin, Paul Weitz’s Grandma delves into feminism past, present and future.