Festival Review: Chevalier (2015)
★★★★☆
Gently prodding men’s insecurities and weaknesses, Athina Rachel Tsangari’s Chevalier offers a sardonic look at the games men play.
Reviews
Festival Review: Sunset Song (2015)
★★★☆☆
Agyness Deyn is the Flower of Scotland in Terence Davies’ Sunset Song, a slowly ambitious and symphonic evocation of land and country.
Festival Review: Cowboys (2015)
★★★☆☆
Based on John Ford’s The Searchers, Thomas Bidegain’s Cowboys is a thoroughly modern, European western of cowboys and Islamists.
Festival Review: Youth (2015)
★★★☆☆
A deliberate break from the success of The Great Beauty, Paolo Sorrentino’s Youth finds a lower-key kind of beauty in a Swiss sanatorium.
Festival Review: They Will Have To Kill Us First (2015)
★★★☆☆
Malian music in exile, Johanna Schwartz’s documentary They Will Have To Kill Us First is a celebration of music and its invincible power.
Festival Review: Francofonia (2015)
★★★★☆
An impressionistic portrait of the Louvre Museum under Nazi occupation, Alexander Sokurov’s Francofonia reveals the chequered history of art.
Festival Review: Green Room (2015)
★★★☆☆
Carving out his own genre of trapped men fighting for survival, Jeremy Saulnier’s taut, gruesome and suspenseful Green Room pulls no punches.
Festival Review: Krisha (2015)
★★★☆☆
Filmed at home with friends and family, Trey Edward Shults’ Krisha is a Cassavetes-style portrait of recovery and addiction. And much more than a home video.
Festival Review: Carol
★★★★☆
Adapted from the novel by Patricia Highsmith, Todd Haynes’ Carol basks in a 1950s glow of glorious chiffons, illicit love and stifled emotion.
Festival Review: An (2015)
★★★☆☆
With cherry blossom, sweet red bean paste and lovable pensioners, Naomi Kawase’s An is a light, soft-centred Japanese fancy.
Festival Review: Desierto (2015)
★★☆☆☆
A horror movie set on the Mexican border, Jonas Cuaron’s Desierto is a barren wasteland of American violence and Mexican victims.
Festival Review: The Lady In The Van (2015)
★★★★☆
The funny and poignant tale of Bennett’s live-in codger, Nicholas Hytner’s The Lady In The Van is entertainment at its most prestigious.
Festival Review: The Lobster (2015)
★★★★★
A delicious metaphor on romance and the dangers of being single, Yorgos Lanthimos’ The Lobster is a strangely perfect world.
Festival Review: The Endless River (2015)
★★★☆☆
Drifting through a gamut of murder, revenge and forgiveness, Oliver Hermanus’ The Endless River offers three perspectives on violence in South Africa.