Remainder (2015)
★★★★☆
What if you couldn’t remember your past and you tried to recreate it? Omar Fast’s visually stunning debut Remainder is a compulsively mind-bending puzzle.
Reviews
The Violators (2015)
★★★☆☆
An uncompromising directorial debut by author Helen Walsh, The Violators is a powerful story of teenage girls in broken Britain.
Tale of Tales (2015)
★★★★★
Beautiful and grotesque – director Matteo Garone’s visually stunning collection of dark fairy tales for adults Tale of Tales defies description.
Bang Gang (2015)
★★★☆☆
In a long hot summer, a collective sexual madness grips a group of French school students in Eva Husson’s uninspired Bang Gang.
The Intervention (2016)
★★★☆☆
A light comedy of thirty-somethings interfering in their friends’ lives, Clea DuVall’s The Intervention is a lightweight performance piece.
Other People (2016)
★★★★☆
A semi-autobiographical story of comedy in the heart of tragedy, Chris Kelly’s Other People sees both good things and bad happen to us all.
Goat (2015)
★★★★☆
Penned by David Gordon Green and with a cameo performance from James Franco, Andrew Neel’s hazing drama Goat has impeccable indie credentials.
Love & Friendship (2016)
★★★★☆
A witty adaptation of Jane Austen’s Lady Susan, Whit Stillman’s Love & Friendship is a sassy parody of Regency manners.
The Daughter (2015)
★★★☆☆
Relocating Ibsen’s The Wild Duck to the Australian outback, Simon Stone’s The Daughter remains an intense but stagey melodrama.
Departure (2015)
★★★☆☆
A delicate debut of sexual exploration and lifelong frustration, Andrew Steggall’s poetic Departure comes undone with its exquisite manners.
Chicken (2016)
★★★★☆
A teen maelstrom of romance, secrets and family in the Essex countryside, Joe Stephenson’s Chicken is a moving portrait of a breaking idyll.
Cannes Film Festival: The Student (2016)
★★★★☆
Bringing Christian fundamentalism to the playground, Kirill Serebrennikov’s The Student satirises the conservatism of Russian institutions.
La Danseuse (2016)
★★☆☆☆
A portrait of revolutionary dancer Loie Fuller, Stephanie Di Giusto’s La Danseuse makes for a disappointingly pedestrian biopic.
Ma Loute (2016)
★★★☆☆
Divided into stalwarts of French cinema and non-professional actors, Bruno Dumont’s crime caper Ma Loute exposes the grotesque in everyone.