Cannes review: Before We Vanish (2017)
★★★★☆
Before We Vanish by Kiyoshi Kurosaw is a genre-bending Japanese bodysnatchers movie that provokes an alien apocalypse on Earth.
★★★★☆
Before We Vanish by Kiyoshi Kurosaw is a genre-bending Japanese bodysnatchers movie that provokes an alien apocalypse on Earth.
★★★★☆
The Desert Bride (La Novia del Desierto) is a charming Argentinian road move about a late-life blossoming.
★★★★☆
Juliette Binoche stars in a rom-com departure for Claire Denis in Bright Sunshine In (Un Beau Soleil Interior).
★★★★☆
Mohammad Rasoulof laments institutional corruption in Iranian society in A Man of Integrity (Lerd).
★★★★☆
Aki Kaurismäki is in top droll, compassionate form dealing with the refugee crisis in The Other Side of Hope.
★★★★☆
Spaceship is a dreamlike, semi-psychedelic, free-flowing story of teenage cyber goths and alien abductions.
★★★★☆
Danish director Lone Scherfig’s Their Finest is a very British romcom.
★★★☆☆
In Clash director Mohamed Diab creates an intensely moving microcosm of Egyptian society in the confined space of a police van as riots erupt outside.
★★★★☆
A sumptuous new adaptation of Sarah Waters’ Fingersmith, Park Chan-wook’s The Handmaiden is a dazzling tale of duplicity and deception.
★★★★☆
The Lunchbox director Ritesh Batra’s adaption of Julian Barness’ The Sense of an Ending is a sensitive, unflinching reflection the deceptiveness of emotions.
★★★★☆
Clever use of previously unseen archive footage and original letters brings to life the extraordinary story of a forgotten female Lawrence of Arabia in fascinating biopic Letters from Baghdad.
★★★★☆
A portrait of the poet as a young revolutionary, Terence Davies’ Emily Dickinson biopic A Quiet Passion sees a fiercely independent woman martyred.
★★★☆☆
Multicultural London gets the film noir treatment from director Pete Travis in Patrick Neate’s City of Tiny Lights.
★★★★☆
Pablo Larraín’s fictional biopic of Chile’s greatest poet creates a magical realist cat-and-mouse story that Neruda himself would have enjoyed.