Weekend (2011)
★★★★☆
A Nottingham-set gay love story, Andrew Haigh’s Weekend is love in the real lane – tender, confusing and painful. It’s funny, but it ain’t no hom-com.
★★★★☆
A Nottingham-set gay love story, Andrew Haigh’s Weekend is love in the real lane – tender, confusing and painful. It’s funny, but it ain’t no hom-com.
★★★☆☆
The portrait of the cross-dresser as a young boy, Céline Sciamma’s Tomboy explores a summer of sexual awakening and the limits of identity.
★★★★★
A return to form for François Ozon, Potiche is a melting pot of satire, farce and high camp with a sprinkling of stardust.
★★★★☆
Navigating the ménage à trois with elegant indifference, Xavier Dolan’s Les Amours Imaginaires is a glorious feast of colour and rancid joie de vivre. Who said anything about subtle?
★★★☆☆
Centred round a geeky fantasist’s phone-sex relationship, Kyle Patrick Alvarez’s Easier With Practice flirts with the danger of wet dreams coming true.
★★★★☆
With pitch-perfect performances by Julianne Moore and Annette Bening, Lisa Cholodenko’s The Kids Are All Right is by no means playing it straight.
★★★☆☆
With a heroin junkie and her dead lover’s gay brother hiding away together, François Ozon’s Le Refuge is a subdued meditation on parenthood and loss. It’s baby boom and bust.
★★★★☆
With man-on-man love in a small Peruvian fishing village, Javier Fuentes-León’s Contracorriente has Latin American machismo swimming against a high tide.
★★★★★
Forbidden desire in Jerusalem’s orthodox community, the love affair between two Haredi Jews raises eyebrows in Haim Tabakman’s Eyes Wide Open. And razes the temple.
★★★☆☆
Exploring the entangled intimacy of twins, Pascal-Alex Vincent’s Donne Moi La Main is a road trip with a difference. But it’s no straight story.
From forbidden love to lovesick confusion, London’s 24th Lesbian & Gay Film Festival explores the boundaries of love, sexuality and gender. It’s a fine bromance!
Read More★★★★☆
Colin Firth mesmerises as a grieving gay college professor, but can dressing Isherwood’s novel up in a sharp new suit say anything about 21st century queerdom?