Sequin in a Blue Room (2019) – on demand
★★★★☆
An Australian teen’s obsession with an anonymous sex app ventures into dangerous territory when he is invited into the Blue Room in Samuel Van Grinsven’s stylish gay thriller Sequin in a Blue Room.
queer
BFI Flare: Jump, Darling (2020) – on demand
★★★☆☆
Following a break-up, a struggling drag queen visits his ailing grandmother in the country and finds himself staying as the pair support each other in various ways in writer/director Phil Connell’s Jump, Darling.
MOFFIE (2019) – LIVE Q&A – 24 APRIL AND ON DEMAND
★★★★☆
Oliver Hermanus’ Moffie is a haunting, incisive look at apartheid-era toxic white masculinity.
Moffie (2019)
★★★★☆
Oliver Hermanus evokes fear and loathing for a brutally homophobic, Apartheid-era South Africa among young LGBT conscripts in Moffie.
Appropriate Behavior (2014)
★★★☆☆
Directed, written by and starring Desiree Akhavan, Appropriate Behavior is a very personal New York story of the conflicting demands of love, self and family.
Festival Review: Misfits (2015)
★★★☆☆
A portrait of life for gay and lesbian youth in Tulsa, Jannik Splidsboel’s Misfits explores homophobia and identity in the Bible Belt.
The Way He Looks / Hoje Eu Quero Voltar Sozinho (2014)
★★★☆☆
A Brazilian tale of blind love, Daniel Ribeiro’s The Way He Looks is a lyrical mood piece of adolescent self-discovery but short on feeling.
Floating Skyscrapers / Plynace Wiezowce (2013)
★★★☆☆
Down and out in Warsaw, Tomasz Wasilewski’s haunting Floating Skyscrapers explores identity in flux and gay love in a hopeless place in contemporary Poland.
Blue Is The Warmest Colour / La Vie d’Adèle (2012)
★★★★☆
Courting controversy all the way from Cannes, Abdellatif Kechiche’s Blue Is The Warmest Colour puts the graphic back into graphic novel.