EO (2022)
span style=”color:#D1A316″>★★★★☆
EO, veteran director Jerzy Skolimowski’s compelling, beautifully shot homage to Bresson’s classic, takes a donkey’s eye view of the vagaries of life.
Poland
Berlinale: Tower. A Bright Day. (2017)
★★★☆☆
As mystifying as it is transfixing, Jagoda Szlec’s feature-length debut Tower. A Bright Day is an astute blend of dread and mundanity.
BFI LFF: Spoor (2017)
★★☆☆☆
A clarion call against the mistreatment of animals and the hunting confederacy of men, against Agnieszka Holland’s Spoor loses its way in the snowy mountains.
BFI LFF: Birds Are Singing in Kigali (2017)
★★★☆☆
In Birds Are Singing in Kigali two women return to Rwanda to find out if healing is possible after the genocide.
Spoor (2017)
★★☆☆☆
A clarion call against the mistreatment of animals and the hunting confederacy of men, against Agnieszka Holland’s Spoor loses its way in the snowy mountains.
Festival Review: United States Of Love (2016)
★★★☆☆
A portrait of four pained women on the cusp of freedom, Tomasz Wasilewski’s United States Of Love takes its passion removed, rejected and unrequited.
Festival Review: Body / Cialo (2015)
★★★☆☆
Anorexia, ghosts and the broken bond between father and daughter, Malgorzata Szumowska’s Body is a finely acted black comedy about laying grief to rest.
Ida (2013)
★★★★☆
Beautifully shot in black and white, Pawel Pawlikowski’s Ida leads us on a meaningful road trip into a dark night of the Holocaust, Catholicism, and jazz.
Floating Skyscrapers / Plynace Wiezowce (2013)
★★★☆☆
Down and out in Warsaw, Tomasz Wasilewski’s haunting Floating Skyscrapers explores identity in flux and gay love in a hopeless place in contemporary Poland.
Flying Blind (2012)
★★★☆☆
A woman in a man’s world, Katarzyna Klimkiewicz’s debut feature Flying Blind exposes the vulnerable face of a woman in love.
The Woman In The Fifth (2011)
★★★☆☆
Filmed in French, English and Polish, Pawel Pawlikowski’s The Woman In The Fifth offers a uniquely European look at love, literature and lunacy.