Ema (2019)
★★★★☆
Sometimes enigmatic and confusing, sometimes fiery with emotion, Pablo Larrain’s intriguing Ema peels the layers off a woman’s dance with death.
Pablo Larrain
Ema (2019) – ON DEMAND
★★★★☆
Sometimes enigmatic and confusing, sometimes fiery with emotion, Pablo Larrain’s intriguing Ema peels the layers off a dance with death.
BFI LFF 2019: Festival briefs
★★★★☆
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Cannes review: The Desert Bride (2017)
★★★★☆
The Desert Bride (La Novia del Desierto) is a charming Argentinian road move about a late-life blossoming.
Neruda (2016)
★★★★☆
Jackie (2016)
★★★★☆
Pablo Larrain’s portrait of a widowed Jackie Kennedy in the days following the President’s assassination has intriguing contemporary resonance.
From Afar (2015)
★★★★☆
Lorenzo Vigas’s From Afar (Desda Allá) is a mesmerisingly elliptical, tense psychological study of a dark relationship.
THE 65TH BERLIN FILM FESTIVAL – BERLINALE 2015
Pitting first-time directors against studio blockbusters, the 65th Berlin Film Festival reserves its glitz for the red carpet as Jafar Panahi’s Taxi takes the Golden Bear.
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Festival Review: The Club / El Club (2015)
★★★★☆
A scurrilous comedy about degenerate priests, Pablo Larrain’s The Club rides a dark political undercurrent as God’s rejects refuse to see the light.
Review Of The Year: 2013
In black and white or riotous colour, here’s a quick look back over the best and worst films of 2013 and a sneak preview of the movies to watch out for in 2014.
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No (2012)
★★★★☆
Televising the revolution, Pablo Larrain’s No puts advertising and happiness at the heart of Chile’s campaign to depose Pinochet.
Review Of The Year: 2012
As 2012 fades from sight as quickly as corroding celluloid, a final round-up of the best and worst of 2012 and those to look…
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