Robinson In Ruins (2010)
★★★★☆
A symbiosis of fixed landscapes and illuminating narration, Patrick Keiller’s Robinson In Ruins is a bracing journey through the Oxfordshire countryside.
Mark Wilshin
Another Year (2010)
★★★☆☆
A four seasons symphony of age-worn contentment and unhappy boozers, Mike Leigh’s Another Year conquers and divides into haves and have-nots.
The Kids Are All Right (2010)
★★★★☆
With pitch-perfect performances by Julianne Moore and Annette Bening, Lisa Cholodenko’s The Kids Are All Right is by no means playing it straight.
The Hunter (2010)
★★★☆☆
Like an Iranian Falling Down, Rafi Pitts’ The Hunter pushes one man over the edge in a city seething with male anguish and state violence.
Over Your Cities Grass Will Grow (2010)
★★★☆☆
Roving the labyrinthine world of artist Anselm Kiefer, there’s more to Sophie Fiennes’ documentary Over Your Cities Grass Will Grow than just watching paint dry.
Film Festival: The 54th BFI London Film Festival 2010
Tomorrow the London Film Festival finally opens its doors. And there are still plenty of tickets left, so here’s a little sneak preview to…
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Police, Adjective / Politist, Adjectiv (2009)
★★★★☆
Cuffed and bound, a changing Romania is put in the dock in Corneliu Porumboiu’s Police, Adjective when a conscience-niggled policeman starts questioning the law.
Buried (2010)
★★★☆☆
One man, one coffin and 90 minutes’ oxygen, Rodrigo Cortés Buried is a deliciously claustrophobic one-hander for Ryan Reynolds. But can Cortés play by the rules?
Winter’s Bone (2010)
★★★☆☆
Set deep in the bone-chilling Ozark woods, Debra Granik’s Winter’s Bone rides high on the national spectre of repossession and will make Jennifer Lawrence a star.
Certified Copy / Copie Conforme (2010)
★★★★☆
A Rohmeresque ramble under the Tuscan sun, Kiarostami’s Certified Copy is a freewheeling battle of the sexes. And Juliette Binoche is in a bitter mood for love.
L’Illusionniste / The Illusionist (2010)
★★★☆☆
Based on a script by Jacques Tati, Sylvain Chomet’s The Illusionist is a lyrical love story for sugar daddies and sweet dreamers. As well as residents of Dunedin.
The Maid / La Nana (2009)
★★★★☆
Replacing a passive-agressive, quarrelsome maid isn’t easy, as Sebastián Silva’s comic gem La Nana shows. It’s class conflict gone the family way.
Hideaway / Le Refuge (2009)
★★★☆☆
With a heroin junkie and her dead lover’s gay brother hiding away together, François Ozon’s Le Refuge is a subdued meditation on parenthood and loss. It’s baby boom and bust.
Contracorriente / Undertow (2009)
★★★★☆
With man-on-man love in a small Peruvian fishing village, Javier Fuentes-León’s Contracorriente has Latin American machismo swimming against a high tide.