London Film Festival 2013 – Day 8
Sex, lies and money are today’s hooks, lines and sinkers, starting with Stephen Frears’ Philomena. Based on the book by former BBC journalist and…
Read MoreSex, lies and money are today’s hooks, lines and sinkers, starting with Stephen Frears’ Philomena. Based on the book by former BBC journalist and…
Read MoreOf course, the headline film should really be the Coen Brothers’ Inside Llewyn Davis, but instead I’m choosing Tracks – John Curran’s recreation of…
Read MoreFreedom, obsession and discrimination, it’s all here. And in Poland, Iran, Bosnia-Herzegovina, Sweden and South Africa. First, there’s Jafar Panahi’s Closed Curtain, his fictional…
Read MoreAnd now it’s time for the heavy hitters. Enter Juliette Binoche and Robert Redford in two equally spare one-handers. In Bruno Dumont’s film it’s…
Read MoreThe vogue for monochrome continues with Alexander Payne’s Nebraska. And after Hawaii in The Descendants, Payne ups sticks to another overlooked state, this time…
Read More★★★★☆
Love, life and languor in the City of Lights, Roger Michell’s Le Week-End sees a couple renegotiating their marriage and giving it the ooh-la-la.
★★★☆☆
Like someone in love, Hong Sangsoo’s Nobody’s Daughter Haewon draws out the loneliness of youth as a pretty student negotiates family, love and relationships.
★★☆☆☆
Following snowboarder Kevin Pearce’s life after traumatic brain injury, Lucy Walker’s documentary The Crash Reel sees a rising star come crashing down to earth.
★★★★☆
Love in a dark time, Malgorzata Szumowska’s In The Name Of evokes the desolation of a gay man in conflict with God with summertime brilliance.
★★★☆☆
A portrait of the great thinker in troubled times, Margarethe von Trotta’s Hannah Arendt is more than a woman.
★★☆☆☆
Bringing the wild west to the North East, Vince Woods’ Harrigan offers a moody warning against the dangers of police cuts amidst blackouts and strikes.
★★★☆☆
All is fair in love and war, Fernando Trueba’s The Artist And The Model gradually hews out the standoff relationship between the creator and his muse.
★★★☆☆
Exposing Seventies homophobia against gay parents and with a great performance from Alan Cummings, Travis Fine’s Any Day Now is a very modern tearjerker.
★★★★☆
A love poem to the Italian capital and a searing portrait of its glitterati, Paolo Sorrentino’s The Great Beauty is a virtuoso vision of fiddling while Rome burns.