Festival Review: Grandma (2015)
★★★★☆
A female road-trip with a devastating performance from Lily Tomlin, Paul Weitz’s Grandma delves into feminism past, present and future.
Mark Wilshin
Festival Review: A Guy From Fenyang (2014)
★★★☆☆
Uncovering the life and works of Jia Zhangke in his home city, Walter Salles’ A Guy From Fenyang reveals the metropolis behind the man.
Festival Review: Mountains May Depart (2015)
★★☆☆☆
A triptych of melancholy Chinese stories, Jia Zhangke’sMountains May Depart builds an awkward narrative of nostalgia – past, present and future.
Macbeth (2015)
★★★★☆
Bringing a fearsome pace and inescapable style to Shakespeare’s tragedy of murderous ambition, Justin Kurzel’s Macbeth is a luscious, bloody triumph.
A Girl At My Door (2014)
★★★☆☆
Combining gay rights with all the tropes of a horror movie, July Jung’s A Girl At My Door is strangely haunting, but struggles with a split personality.
Pasolini (2014)
★★★★☆
Evoking the last days of Pier Paolo Pasolini, Abel Ferrara’s Pasolini lets the controversial Italian filmmaker’s thoughts and ideas do the scandalising.
The Second Mother / Que Horas Ela Volta? (2015)
★★★★☆
With a cracking performance from Regina Casé and a sharp script, Anna Muylaert’s The Second Mother is a well polished gem of class friction in Brazil.
Miss Julie (2014)
★★★☆☆
Transporting August Strindberg’s play to colonial Ireland, Liv Ullmann’s Miss Julie imbues her underwhelming tale of forbidden love with Swedish style.
45 Years (2014)
★★★★☆
With powerful performances from Tom Courtenay and Charlotte Rampling, Andrew Haigh’s 45 Years looks back in anger on love.
Escobar: Paradise Lost (2014)
★★★☆☆
A fictional retelling of the bloody final days of the Medellin cartel, Andrea Di Stefano’s Escobar: Paradise Lost brings a personal touch to Escobar’s violence.
The Treatment / De Behandeling (2014)
★★★☆☆
A fast-paced and tense police thriller, Hans Herbots’ The Treatment plumbs the murky depths of child abuse and male impotence.
Good People (2014)
★★☆☆☆
Armed with a stellar cast and a stylishly bleak cinematography, Henrik Ruben Genz’ Good People is let down by a run-of-the-mill script with nowhere to go.
The Confessions of Thomas Quick (2015)
★★★★☆
A haunting portrait of Sweden’s one and only serial killer, Brian Hill’s The Confessions of Thomas Quick reimagines the collaborative nature of storytelling.
Marshland / La Isla Minima (2014)
★★★★☆
A police thriller in the dark heartland of ’80s Andalusia, Alberto Rodríguez’ Marshland is a gripping and stylish study of Spain both then and now.