Cannes Film Festival 2021: Opening Film: Annette (2021)
★★★★☆
strong>Annette by cult director Leos Carax opens the Cannes Film Festival – what the critics say…
Marion Cotillard
Ismael’s Ghosts (2017)
★★★☆☆
Arnaud Desplechin’s Ismaël’s Ghosts is an abstract, at times melodramatic, interweaving of nightmare, filmmaking, fiction and reality.
Cannes review: Ismaël’s Ghosts (2017)
★★★★☆
Arnaud Desplechin’s Ismaël’s Ghosts is an abstract, at times melodramatic interweaving of nightmare, filmmaking, fiction and reality.
It’s Only the End of the World (2016)
★★★★☆
Xavier Dolan’s It’s Only The End Of The World is an intense, melodramatic family drama around the lunch table.
BFI LFF 2016: It’s Only The End Of The World (2016)
Xavier Dolan’s It’s Only The End Of The World is an intense, melodramatic family drama around the lunch table. It’s Only The End Of…
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Macbeth (2015)
★★★★☆
Bringing a fearsome pace and inescapable style to Shakespeare’s tragedy of murderous ambition, Justin Kurzel’s Macbeth is a luscious, bloody triumph.
Two Days, One Night / Deux Jours, Une Nuit (2014)
★★★★☆
Dramatic social realism from Belgium’s Dardennes brothers – Marion Cotillard stars as a factory worker who has just two days to persuade her colleagues to forgo their bonuses so that she can keep her job.
Review Of The Year: 2012
As 2012 fades from sight as quickly as corroding celluloid, a final round-up of the best and worst of 2012 and those to look…
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Rust And Bone / De Rouille Et D’Os (2012)
★★★★☆
A tour-de-force of violence and casual love, Jacques Audiard’s Rust And Bone sees the human spirit triumph over the body’s all-too-vulnerable fragility.
Film Festival: The 56th London Film Festival 2012
In the year of London 2012, the 56th London Film Festival is exploring the capital, from Dickensian Smithfield via the brutalist Barbican to modern-day Hackney.
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Ten in 2010
And so, like a wet goat, another year is born; an ideal opportunity to reflect on 2010 and make widescreen resolutions for 2011. You…
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