The Time That Remains (2009)
★★★☆☆
A pizzicato sonata of absurd rituals, Elia Suleiman’s The Time That Remains unpicks a lifetime stifling inside the Green Lines. It’s more than just plucking at strings.
London Film Festival
The Happiest Girl In The World / Cea Mai Fericita Fata Din Lume (2009)
★★★☆☆
When winning becomes a losing battle, Radu Jude’s The Happiest Girl In The World casts a sly glance over Romania’s troublingly capitalist embrace.
Leonera / The Lion’s Den (2008)
★★★☆☆
Exploring female relationships in the maternity wing of an Argentine prison, Pablo Trapero puts motherhood at the heart of Leonera. Just don’t rattle her cage.
Storm / Sturm (2009)
★★★☆☆
Unpicking the wheels of justice at The Hague’s International Criminal Court, Hans-Christian Schmid’s Sturm is a very European thriller. And it’s kicking up a storm.
No-one Knows About Persian Cats (2009)
★★★★☆
Battling an oppressive regime, Bahman Ghobadi’s semi-fictional documentary is a rousing anthem to the power of music. But does it struggle to hit the high notes?
Lourdes (2009)
★★★★☆
With wry humour and religious austerity, Jessica Hausner’s Lourdes explores female potency as hopeful pilgrims jostle for a miracle. O, come all ye faithful.
Micmacs à tire-larigot (2009)
★★★★☆
Taking on the arms trade with customary quirk, Jeunet’s Micmacs launches another political bombshell. But can all this salvage ever hope to hit the bull’s eye?
A Single Man (2009)
★★★★☆
Colin Firth mesmerises as a grieving gay college professor, but can dressing Isherwood’s novel up in a sharp new suit say anything about 21st century queerdom?
Un Prophète / A Prophet (2009)
★★★★★
Thrills-and-spills jailbird Bildungsroman or darkly poetic gangster thriller? Whatever it is, Audiard’s Un Prophète is the arthouse blockbuster par excellence.
Kynodontas / Dogtooth (2009)
★★★☆☆
In a darkly humorous coming-of-age tale, Yorgos Lanthimos’ wickedly acerbic Dogtooth takes the institution of the family literally. Dangerously so.
Applaus (2009)
★★★★☆
With an exceptionally raw performance from Paprika Steen, Applaus is a devastatingly real representation of an alcoholic’s life on the rocks.
Enter The Void / Soudain Le Vide (2009)
★★★☆☆
Coursing through Tokyo’s veins by night, Gaspar Noé’s Enter The Void is a psychotropic feast for the senses.