Abel (2010)
★★☆☆☆
With its little boy lost fresh from the mental ward, Diego Luna’s fictional debut Abel is a family story, both comic and tragic. Albeit a bit bipolar.
★★☆☆☆
With its little boy lost fresh from the mental ward, Diego Luna’s fictional debut Abel is a family story, both comic and tragic. Albeit a bit bipolar.
★★★★☆
Audiences are bound to be divided over Danny Boyle’s flashy visuals, but James Franco goes all out on a limb to ground the supersonic 127 Hours with a bit of gravitas.
★★★☆☆
With Stephen Dorff as Sunset Boulevard’s latest fading star and a put-upon debutante daughter, Somewhere is Sofia Coppola’s most autobiographical film to date.
★★★★☆
A sublime look into the hearts and minds of tormented monks, Xavier Beauvois’ Of Gods And Men reveals the battle between humanity and divinity in all of us.
★★★☆☆
Turning Santa into the ultimate horror movie villain, Jalmari Helander’s Rare Exports dishes the dirt on the man coming down your chimney with Christmas relish.
★★★★☆
Minimalism on a microbudget, Michael Rowe’s Camera d’Or winning Mexican debut Leap Year is a masochist’s delight. With an Australian fascination for light.
★★★☆☆
A hypnotic journey into reincarnation, monkey gods and talking catfish, Apichatpong Weerasethakul’s Uncle Boonmee is a puzzling but award-winning controversy.
★★★★☆
A symbiosis of fixed landscapes and illuminating narration, Patrick Keiller’s Robinson In Ruins is a bracing journey through the Oxfordshire countryside.
★★★☆☆
A four seasons symphony of age-worn contentment and unhappy boozers, Mike Leigh’s Another Year conquers and divides into haves and have-nots.
★★★★☆
With pitch-perfect performances by Julianne Moore and Annette Bening, Lisa Cholodenko’s The Kids Are All Right is by no means playing it straight.
Tomorrow the London Film Festival finally opens its doors. And there are still plenty of tickets left, so here’s a little sneak preview to…
Read More★★★☆☆
Based on a script by Jacques Tati, Sylvain Chomet’s The Illusionist is a lyrical love story for sugar daddies and sweet dreamers. As well as residents of Dunedin.
★★★☆☆
A medley of grainy super-8 footage, Tom DiCillo’s When You’re Strange strips The Doors down to no-holds-barred exuberance. Or is it just wallowing in the mire?
★★★☆☆
André Techiné’s The Girl On The Train is not so much an exploration of modern antisemitism as a cumulation of our collective fears. Just mind the moral gap.