Tracks (2013)
★★★★★
The beautifully lensed story of one woman’s journey through the heat and dust, John Curran’s Tracks is an inspiring expedition into the dead heart of Australia.
London Film Festival
Exhibition (2013)
★★☆☆☆
Centred around a modernist house in West London, Joanna Hogg’s Exhibition exposes art, womanhood, relationships and architectural space.
Locke (2013)
★★★★☆
With Tom Hardy single-handedly driving the film and Steven Knight’s dirty, pretty script at the wheel, Locke is an elegant one-hander of life in the fast lane.
We Are The Best/Vi är bäst! (2013)
★★★☆☆
As three schoolgirls form a punk band in Stockholm in 1982, Lukas Moodysson’s We Are The Best smells like early-teen punk spirit.
Half Of A Yellow Sun (2013)
★★★☆☆
The personal and political intersect in an epic drama from the heady days of Nigeria’s independence to the failed attempt to set up the breakaway independent republic of Biafra, and the start of a civil war.
Tom At The Farm / Tom à la Ferme (2013)
★★★★☆
A relationship tattooed in love and hate, Xavier Dolan’s Tom At The Farm is a tense thriller where homosexual love meets homophobia at its most dangerous.
Starred Up (2013)
★★★★★
A powerful, emotional and violent look at prison and reform, David Mackenzie’s Starred Up offers a glimpse of a life beyond bars.
Salvo (2013)
★★★☆☆
A moody thriller of a cool hitman on the wrong side of the mob in sizzling Sicily, Fabio Grassadonia and Antonio Piazza’s Salvo is seeking out a new vision.
Under The Skin (2013)
★★★★★
Bold, cold and beautiful, Under The Skin is a unique and unsettling experience which defies convention from ambiguous opening to devastating denouement.
Only Lovers Left Alive (2013)
★★★★☆
A stylish Jim Jarmusch movie, Only Lovers Left Alive is a contemporary tale of centuries-old world-weary vampires, their lives sustained by love and blood.
Stranger By The Lake / L’Inconnu Du Lac (2013)
★★★★☆
With murderers among us, Alain Guiraudie’s Stranger By The Lake turns a sexually explicit peek at gay cruising into a political metaphor in the horror genre.
The Invisible Woman (2013)
★★★☆☆
Unpicking Dickens’ illicit affair with a girl half his age, Ralph Fiennes’ The Invisible Woman brings a strong woman out from behind the novelist’s shadow
The Armstrong Lie (2013)
★★★☆☆
Through comeback, doping and scandal, Alex Gibney’s The Armstrong Lie charts the Tour de France winner’s rise to the podium and the lies that kept him there.
Teenage (2013)
★★★★☆
A teenage dream’s so hard to beat, Matt Wolf gets his Teenage kicks from all over the globe, charting the rise and fall of youth in the twentieth century.