BFI LFF 2018 previews (3)
★★★★☆
Previews from the London Film Festival 10-21 October – Border, Assassination Nation, Papi Chulo, Lizzie, The Guilty and Joy.
★★★★☆
Previews from the London Film Festival 10-21 October – Border, Assassination Nation, Papi Chulo, Lizzie, The Guilty and Joy.
★★★★☆
Previews from the London Film Festival 10-21 October – Shadow, Jinn, The Breaker Upperers, May the Devil Take You and Support the Girls.
★★★★☆
Previews from the London Film Festival 10-21 October – Wildlife and Crystal Swan.
★★★★☆
The female-centric team of director Darya Zhuk, co-screenwriter Helga Landauer and cinematographer Carolina Costa give Alina Nasibullina a Madonna-esque starring role in post-Soviet black comedy Crystal Swan (Khrustal).
★★★★☆
John Carroll Lynch’s wonderful, poignant Lucky is a fitting career-end for brilliant actor Harry Dean Stanton.
★★★★☆
Wajib translates as ‘duty’ and Annemarie Jacir’s film focuses on a beautifully observed father-son relationship as they take a road trip around Nazareth amid the confines of being an Arab in Israel.
★★★★☆
From 10-21 October, Britain’s foremost film festival, the BFI London Film Festival, will host 21 world premieres, nine international premieres and 29 European premieres.
★★★☆☆
François Ozon is on quirky erotic form in L’Amant Double, a mystery of psychoanalysis and seduction.
★★★★☆
Tony Zierra’s intriguing Filmworker tells Stanley Kubrick’s assistant Leon Vitali’s story and casts a hitherto-hidden light on the great director and his working methods.
★★★☆☆
On Chesil Beach is a well-acted, sensitive adaptation of Ian McEwan’s novella.
★★★★☆
John Cameron Mitchell’s How To Talk To Girls At Parties is an unlikely mash-up of punk and aliens in the British suburbs.
★★★★☆
Funny Cow showcases Maxine Peake’s versatility when she stars as a ground-breaking female comedian surviving in the misogynistic Seventies.
★★★★☆
Juliette Binoche stars in a rom-com departure for Claire Denis in Let the Sunshine In (Un Beau Soleil Interior).
★★★★☆
A film adapted from his stage play, Thoroughbreds is Corey Finley’s directorial debut. It’s a stylised teen thriller/black comedy of well-plotted cross and double-cross with two amoral central characters.