TORONTO 2024: Seven Days (2024)
★★★★☆
Seven Days, directed by Ali Samadi Ahai and written by Mohammed Rasoulof is a poignant film that explores the human tensions between political resistance and personal sacrifice.
Iran
Shayda (2023)
★★★★☆
Shayda, the heartfelt first feature directed by Noora Niasari, is a compelling story of an Iranian woman fleeing domestic abuse to seek cultural freedom.
Opponent (2023) (Motståndaren)
★★★★☆
Opponent, written and directed by Milad Alami, is a powerful, must-see film about the refugee experience and conflicted desires.
Holy Spider (Ankabut-e moqaddas) (2022)
★★★★☆
Holy Spider, angrily written and directed by Ali Abbasi (Border), is a grisly, reality-based story of violence against women in a patriarchal, theocratic society.
No Bears (2022)
★★★★☆
No Bears is Jafar Panahi’s latest multi-layered film, boldly showing his plight and that of filmmaking itself in the context of Iran’s draconian restrictions.
BFI LFF 2022: Holy Spider
★★★★☆
Holy Spider, angrily written and directed by Ali Abbasi (Border), and screening at the BFI London Film Festival, is a grisly, reality-based story of violence against women in a patriarchal, theocratic society.
BFI LFF 2022: No Bears
★★★★☆
BFI LFF 2022:No Bears , screening at the BFI LFF 2022, is Jafar Panahi’s latest multi-layered film, boldly showing his plight and that of filmmaking itself in the context of Iran’s draconian restrictions.
Hit the Road (Jaddeh Khaki) (2021)
★★★★★
In Hit the Road by Panah Panahi an Iranian family say so much and yet leave so much unsaid.
Atabai (2020)
★★★☆☆
Atabai by Iranian director Niki Karimi makes the most of stupendous landscapes and reveals its stories gradually.
BFI LFF 2021: Hit the Road (Jaddeh Khaki) (2021)
★★★★☆
In Hit the Road by Panah Panahi at the BFI LFF an Iranian family say so much and yet leave so much unsaid.
Ava (2017)
★★★★☆
Ava is an unforgiving, unforgettable coming-of-age film about a teenage girl’s loss of freedom in Iran from a compelling new filmmaker, Sadaf Foroughi.
3 Faces (2018)
★★★★☆
3 Faces is Jafar Panahi’s fourth film since receiving a 30-year ban on filmmaking (or leaving Iran). It’s an involving, compelling, deeply ingrained criticism of the society it quietly observes.
Cannes Film Festival 2018: Day 6
★★★★☆
Cannes Film Festival 2018
Cannes Film Festival 2018: Day 1
★★★★☆
Cannes Film Festival 2018