Bright Nights (2017)
★★★☆☆
A war of the wordless, Thomas Arslan’s Bright Nights is a painfully accurate if unilluminating portrait of the father-son relationship.
Germany
Es war einmal in Deutschland… (2017)
★★★☆☆
With returning Jews looking to get rich and make it to the US, Sam Garbarski’s Es war einmal in Deutschland… unpicks the postwar search for truth with bitter glee.
Cannes Review: Toni Erdmann (2016)
★★★★☆
A feelgood father-and-daughter comedy, Maren Ade’s Toni Erdmann sees the joylessness of the corporate world undone by paternal clowning.
BFI LFF 2016: Toni Erdmann (2016)
★★★☆☆
A feelgood father-and-daughter comedy, Maren Ade’s Toni Erdmann sees the joylessness of the corporate world undone by paternal clowning.
Festival Review: 24 Weeks (2016)
★★★☆☆
As a couple struggle to come to terms with their unborn baby’s condition, Anne Zohra Berrached’s 24 Weeks uncovers a grey world of female courage.
Festival Review: The People Versus Fritz Bauer (2015)
★★★☆☆
Shining a light on German denazification, Lars Kraume’s The People Versus Fritz Bauer is an important story of a forgotten hero.
Festival Review: Der Nachtmahr (2015)
★★☆☆☆
A German horror film of Berlin clubs and imaginary creatures, Akiz’s Der Nachtmahr is a pulsating delirium of colourful and haunting images.
Of Girls And Horses / Von Mädchen Und Pferden (2014)
★★★☆☆
The quietly uplifting story of one girl turning her life around, Monika Treut’s Of Girls And Horses is a slight but haunting tale of love in the slow lane.
Future Beach / Praia do Futuro (2014)
★★★★☆
A sumptuous gay love story in Brazil and Berlin, Karim Aïnouz’s Future Beach is a provocative and sensual tale of maleness, same-sex love and self-discovery.
Phoenix (2014)
★★★★☆
In war-damaged Berlin a disfigured concentration camp survivor strives to rediscover her identity as she searches for the husband who may have betrayed her.
Festival Review: Dora Or The Sexual Neuroses Of Our Parents (2015)
★★★☆☆
The portrait of a teenage mentally handicapped girl in the first throes of sex, Stina Werenfels’ Dora Or The Sexual Neuroses Of Our Parents comes unhinged.
Festival Review: The Misplaced World / Die Abhandene Welt (2015)
★★☆☆☆
Despite all-singing performances from Katja Riemann and Barbara Sukowa, Margarethe von Trotta’s The Misplaced World still makes for a jarring thriller.
Festival Review: Fassbinder To Love Without Demands (2015)
★★★★☆
With unique archive footage, Christian Braad Thomsen’s Fassbinder To Love Without Demands delivers an honest and intelligent portrait of the German director.
Festival Review: Elser / 13 Minutes (2015)
★★★☆☆
What can change a man from pacifist to freedom fighter? Oliver Hirschbiegel’s 13 Minutes pays tribute to the German resistant Georg Elser.