London Film Festival 2014: The Falling
The Falling by Mark Wilshin After her acclaimed debut documentary Dreams Of A Life, Carol Morley makes an awkward move to her first feature,…
Read MoreThe Falling by Mark Wilshin After her acclaimed debut documentary Dreams Of A Life, Carol Morley makes an awkward move to her first feature,…
Read More★★☆☆☆
After causing a stir in Cannes earlier this year, Yann Gonzalez’s You And The Night is an existential orgy of misfits finding each other after midnight.
This year’s BFI London Film Festival promises to be one of the most exciting yet. It has a stunning line-up of the best of the festival winners and new work from around the world: and its scheduling in October is at a crucially important time in the run-up to the awards season.
Read More★★★★☆
With murderers among us, Alain Guiraudie’s Stranger By The Lake turns a sexually explicit peek at gay cruising into a political metaphor in the horror genre.
In black and white or riotous colour, here’s a quick look back over the best and worst films of 2013 and a sneak preview of the movies to watch out for in 2014.
Read More★★★★☆
Fathoming the sordid depths of taboo and transgression, François Ozon’s Jeune Et Jolie finds the unfathomable in a teenager trading innocence for money.
Day two and we hit the ground running (or should that be plummeting) with Alfonso Cuarón’s space chiller Gravity. Starring Sandra Bullock and George…
Read More★★★★☆
Of schoolboy crushes and French assignments, François Ozon’s labyrinthine In The House is an intricate maze of fiction and reality worth getting lost in.
As 2012 fades from sight as quickly as corroding celluloid, a final round-up of the best and worst of 2012 and those to look…
Read MoreIn the year of London 2012, the 56th London Film Festival is exploring the capital, from Dickensian Smithfield via the brutalist Barbican to modern-day Hackney.
Read MoreThe Dirty Dozen Hm, the January blues. It’s enough to make you want to curl up inside a darkened room. Which is fortunate, as there…
Read More★★★☆☆
With a happiness drive worthy of Amélie, Pierre Salvadori’s Beautiful Lies transcends its farcical plotting and ropey characterisation to deliver a masterclass on filmmaking.
★★★★★
A return to form for François Ozon, Potiche is a melting pot of satire, farce and high camp with a sprinkling of stardust.
★★★☆☆
With a heroin junkie and her dead lover’s gay brother hiding away together, François Ozon’s Le Refuge is a subdued meditation on parenthood and loss. It’s baby boom and bust.