Ismael’s Ghosts (2017)
★★★☆☆
Arnaud Desplechin’s Ismaël’s Ghosts is an abstract, at times melodramatic, interweaving of nightmare, filmmaking, fiction and reality.
★★★☆☆
Arnaud Desplechin’s Ismaël’s Ghosts is an abstract, at times melodramatic, interweaving of nightmare, filmmaking, fiction and reality.
★★★☆☆
In a timely release for the anniversary of the May 1968 almost-revolution in Paris, Michel Hazanavicius wickedly funny re-invention of Jean-Luc Godard in Redoubtable, as seen though the eyes of Anne Wiazemsky, his second wife.
★★★★☆
Juliette Binoche stars in a rom-com departure for Claire Denis in Let the Sunshine In (Un Beau Soleil Interior).
★★★★☆
Custody is a superbly acted, terrifying domestic abuse drama by Xavier Legrand.
★★★★★☆
In BPM director Robin Campillo turns his naturalistic documentary-style technique from The Class on a group of AIDS activists in the epidemic of the 1990s in a moving, tender and compassionate film.
★★★★☆
I Got Life! by Blandine Lenoir is a heart-warming story of female solidarity and ‘you’re never too old’ starring wonderful Agnès Jaoui.
★★★★☆
You Were Never Really Here by Lynne Ramsay is a dark, disturbing odyssey into the mind of a brutal yet tender hitman.
★★★★☆
A Woman’s Life is a beautifully staged and acted period drama by Stéphane Brizé that unfolds over decades in 19th century France.
★★★★☆
In Ava, the increasing darkness of Léa Mysius’ direction echoes the encroaching blindness of its young heroine in a strikingly original coming-of-age story.
★★★★☆
Michael Haneke’s Happy End deconstructs the internal dynamics of a wealthy bourgeois family living a life oblivious to the human beings around them, with chilling results.
Read More★★★★☆
Albert Serra’s compelling film about the slow death of the Sun King features an extraordinary performance by the legendary Jean-Pierre Léaud.
★★★★☆
Rungano Nyoni’s I Am Not a Witch is a surreal deadpan satire.
★★★★☆
Juliette Binoche stars in a rom-com departure for Claire Denis in Bright Sunshine In (Un Beau Soleil Interior).
★★★★☆
Michael Haneke’s Happy End deconstructs a wealthy bourgeois family living a life oblivious to the human beings around them with chilling results.