Sweet Country (2017)
★★★★★
Warwick Thornton’s bold and original period Aussie Western Sweet Country contrasts brutal men against land of spectacular beauty.
film
Journeyman (2017)
★★★★☆
Paddy Considine directs and stars in Journeyman, a melodrama about the hidden toll of boxing.
Gholam (2017)
★★★☆☆
Mitra Tabrizian’s Gholam stars Shabab Hosseini in an intense story of a lonely exiles alienation from two cultures.
I Got Life! (2017)
★★★★☆
I Got Life! by Blandine Lenoir is a heart-warming story of female solidarity and ‘you’re never too old’ starring wonderful Agnès Jaoui.
The Third Murder (2017)
★★★★☆
The Third Murder by Hirokazu Koreeda is a totally absorbing philosophical exploration of the nature of truth and freedom and whether they can exist, the difference between the law and justice, and whether anything differentiates murder and the death penalty.
The Magic Flute (1975)
★★★☆☆
Ingmar Bergman’s version of Mozart’s The Magic Flute is a magical fairy tale of a production.
The Square (2017)
★★★★☆
Ruben Östlund’s Palme d’Or-winning The Square is a chilling satire on the pretensions of art and Sweden’s comfortable society.
You Were Never Really Here (2017)
★★★★☆
You Were Never Really Here by Lynne Ramsay is a dark, disturbing odyssey into the mind of a brutal yet tender hitman.
The Nile Hilton Incident (2017)
★★★☆☆
Tarik Saleh’s The Nile Hilton Incident unravels a noir thriller against the political background of Egypt’s revolution in 2011.
A Fantastic Woman (2017)
★★★☆☆
Facing the humiliation of social exclusion after losing a loved one, Sebastián Lelio’s A Fantastic Woman is a heartbreaking portrait of loneliness.
Berlinale: Transit (2018)
★★★★☆
Christian Petzold’s fascinating present-day World War II film Transit is thematically and narratively dense, but there’s nothing dense in the way it goes about handling it.
Dark River (2017)
★★★★☆
Her native rugged Yorkshire is the setting for Dark River, Clio Barnard’s follow-up to The Selfish Giant, a grim drama of a dysfunctional family and their failing farm.
Berlinale: Garbage (2018)
★★★☆☆
Q’s Garbage unfurls like a beautiful scream of pain and rage against Indian society gone dystopianly wrong.
Berlinale: Dovlatov (2018)
★★★☆☆
Alexey German Jr’s character study of a great Russian writer in Dovlatovencapsulates its time period superbly, but fails to go beyond that.