Tides (2017)
★★★☆☆
Tides directed by Tupaq Felber is a black-and-white, quiet unfolding of old friendships.
★★★☆☆
Tides directed by Tupaq Felber is a black-and-white, quiet unfolding of old friendships.
★★★★☆
Sebastián Lelio’s Disobedience is an unorthodox love story set within the constraints of an Orthodox Jewish community.
★★★★★
Roma is Alfonso Cuarón’s beautiful and compelling homage to his family’s maid, Libo, when he was growing up in Mexico in the 1970s.
★★★★★
The Wild Pear Tree (Ahlat Agaci) is a masterpiece by Turkish director Nuri Bilge Ceylan.
★★★★★
Worthy Cannes Palme d’Or winner Shoplifters, directed by Hirokazu Kore-eda, is a wonderfully human film about families and making choices that continually misleads and intrigues.
★★★★☆
Assassination Nation, written and directed by actor-turned-filmmaker Sam Levinson (Another Happy Day), is a bitingly funny, black satire on America today that’s enjoyably ultra-violent.
★★★★☆
3 Days in Quiberon by Emily Atef is a compelling slice of a few days in the life of actress Romy Schneider as she gives her last interview.
★★★★☆
London Palestine Film Festival 2018 – 16-28 November
★★★★☆
Wildlife, Paul Dano’s directorial debut, is a scorching coming-of-age drama starring Carey Mulligan and Jake Gyllenhaal, with a compelling debut from Ed Oxenbould.
★★★★☆
They Shall Not Grow Old, Peter Jackson’s homage to his grandfather is a technically brilliant remastering, colouring and voicing of First World War footage into 3D to show the horror and futility of war for its ordinary foot soldiers.
★★★★☆
Steve McQueen’s Widows is a hugely entertaining, violent, female-centred heist thriller that starts with a bang and never lets up thanks to co-screenwriter Gone Girl’s Gillian Lynn’s reimagination of Lynda LaPlante’s 1983 TV series.
★★★★☆
10,000 km stars Natalia Tena and David Verdaguer as the heartbreakingly real couple in Carlos Marques-Marcet’s compelling story of love stretched to the limit, now on DVD/VOD.
★★★★☆
London Korean Film Festival 2018: 1-25 November.
★★★★☆
The irony of Mike Leigh’s latest film Peterloo about demanding political representation is that almost 200 years later, this week people are marching for practically the same reasons – to demand a people’s vote, this time on Brexit.