Cannes Film Festival 2019: Day 1
★★★★☆
Opening Film Cannes Premiere – an ubercool deadpan zombie horror comedy by Jim Jarmusch that never quite come alive.
★★★★☆
Opening Film Cannes Premiere – an ubercool deadpan zombie horror comedy by Jim Jarmusch that never quite come alive.
★★★★☆
In Birds of Passage, directed by Cristina Gallego and Ciro Guerra, the violent birth of Colombia’s drug trade destroys a unique traditional culture.
★★★★★
The late, great Aretha Franklin raises the roof singing gospel in Sidney Pollack’s unmissable Amazing Grace 1972 documentary.
★★★★☆
Josephine Decker’s Madeline’s Madeline is a fragmented collage in image and sound of impressions – a disorientating, passionate welter of dreams, fantasy and reality – that tries to get inside the conflicted head of a 16-year-old aspiring actress.
★★★★★
The Cold War classic Dr Strangelove or: How I Learned to Stop Worrying and Love the Bomb is re-released in the Stanley Kubrick season prefaced with a new short documentary Stanley Kubrick Considers The Bomb.
★★★★☆
72nd Cannes Film Festival 2019 lineup
★★☆☆☆
Vox Lux, Brady Corbet’s second film, is the imagined biography of a fictional pop star played uncomfortably by Natalie Portman.
★★★★☆
Woman at War ((Kona fer í stríð) by Benedikt Erlingsson is an environmental drama and a whimsical mid-life-crisis comedy.
★★★★★
The exquisite Ash Is Purest White by Jia Zhang Ke, starring Tao Zhao in an extraordinary performance, follows the lives of its characters against the background of a rapidly transforming China.
★★★★★
The pressures and anxieties of a 14-year-old girl navigating eighth grade in the social media age are put under the microscope in writer/director Bo Burnham’s achingly observant little gem Eighth Grade.
★★★★☆
Jessie Buckley is superb as an aspiring country singer determined to break from her past and get to Nashville in director Tom Harper’s Glasgow-set Wild Rose.
★★★☆☆
Jonah Hill’s Mid90s is an affectionate, coming-of-age time capsule of skateboards, street life, hip-hop, pop culture moments and stoners.
★★★★☆
It’s impossible not to be charmed and touched by Pond Life, directed by Bill Buckhurst.
★★★★★
In Donbass Sergei Loznitsa’s anger at the war in eastern Ukraine pours out like red-hot lava in 13 episodes of a vicious cycle of dark comedy, absurdity, brutality and horror.