The Worst Person in the World (2021)
★★★★☆
The Worst Person in the World is an enchanting but dark Nordic coming-of-age-rom-com by Joachim Trier, starring a luminous, award-winning central performance by Renate Reinsve.
film review
The Real Charlie Chaplin (2021)
★★★★☆
The Real Charlie Chaplin directed by Peter Middleton and James Spinney is an immersive documentary that focuses on how Chaplin compulsively reflected his personal life in his films.
Flee (2021)
★★★★★
Flee, by Jonas Poher Rasmussen, a documentary made with a blend of animation and archive footage tells an immensely powerful true story of a gay Afghan refugee in Denmark.
Decision to Leave (2022)
★★★★★
Cannes-award-winning unforgettable Decision to Leave directed with pyrotechnical flair by Park Chan-wook is a haunting Korean neo-noir and yet so much more.
Memory Box (2021)
★★★★☆
A Memory Box triggers delayed reconciliation between past and present in Joana Hadjithomas’s deeply personal, emotional intergenerational drama.
Cicada (2020)
★★★★☆
In Cicada by Matt Fifer and Kieran Mulcare, a twenty-something in New York finds love but his life is clouded by the memories of childhood abuse and the pain of not knowing how to deal with it.
A Cop Movie (2021) (Una Película de Policías)
★★★★☆
Award-winning Mexican director Alonso Ruizpalacio with A Cop Movie has made a brilliant, intriguing and innovative – and startlingly genre-unclassifiable – film, starring Mónica Del Carmen and Raúl Briones.
Azor (2021)
★★★★☆
Azor, Andra Fontana’s subtle, sophisticated feature debut, unsettles with an increasing sense of dread as a Swiss banker is enveloped in the Argentinian junta’s heart of darkness.
BFI LFF 2021: Drive My Car
★★★★☆
Drive My Car is directed with a delicate, luminous touch by Ryusuke Hamaguchi.
BFI LFF 2021: ROUNDUP
★★★★☆
BFI LFF 2021: Roundup
BFI LFF 2021: Faya Dayi
★★★★☆
Faya Dayi, a poetic documentary by director, producer and cinematographer Jessica Beshir, paints a tapestry of haunting recollections and stories about khat that create a vivid picture of the socio-political landscape in Ethiopia.
BFI LFF 2021: Azor (2021)
★★★★☆
Azor, Andra Fontana’s subtle, sophisticated feature debut, unsettles with an increasing sense of dread as a Swiss banker is enveloped in the Argentinian junta’s heart of darkness.
BFI LFF 2021: Memory Box
★★★★☆
A Memory Box triggers delayed reconciliation between past and present in Joana Hadjithomas’s deeply personal, emotional intergenerational drama.
Herself (2020)
★★★★☆
After escaping an abusive marriage, a young Irish mother’s plan to self-build a home is fraught with complications in director Phyllida Lloyd’s empowering Herself.