Good People (2014)
★★☆☆☆
Armed with a stellar cast and a stylishly bleak cinematography, Henrik Ruben Genz’ Good People is let down by a run-of-the-mill script with nowhere to go.
★★☆☆☆
Armed with a stellar cast and a stylishly bleak cinematography, Henrik Ruben Genz’ Good People is let down by a run-of-the-mill script with nowhere to go.
★★★★☆
A haunting portrait of Sweden’s one and only serial killer, Brian Hill’s The Confessions of Thomas Quick reimagines the collaborative nature of storytelling.
★★★★☆
A stunningly beautiful Bedouin Western by first-time director Naji Abu Nowar, Theeb uses fabulous locations in Jordan to tell a gripping coming-of-age story.
★★★★☆
A police thriller in the dark heartland of ’80s Andalusia, Alberto Rodríguez’ Marshland is a gripping and stylish study of Spain both then and now.
★★★★☆
David Gordon Green’s Manglehorn is a surreal and painfully accurate portrayal of isolation that features the most essential Pacino performance in over a decade.
★★☆☆☆
Charting the hopes and dreams of her DJ brother Sven, Mia Hansen-Løve’s celebration of French house music Eden might be leading us up the garden path.
★★★☆☆
The Legend Of Barney Thomson, Robert Carlyle’s first feature as a director is a black comedy that stars him as an inept Glaswegian barber mistaken for a serial killer.
★★★☆☆
A tribute to Georg Elser, the man who tried to assassinate Hitler, Oliver Hirschbiegel’s 13 Minutes uncovers the journey from pacifist to freedom fighter.
★★★★☆
A retrospective of Brazilian photographer Sebastião Salgado, Wim Wenders and Juliano Ribeiro Salgado’s The Salt Of The Earth sees man and mankind come to life.
★★★☆☆
The quietly uplifting story of one girl turning her life around, Monika Treut’s Of Girls And Horses is a slight but haunting tale of love in the slow lane.
★★★★☆
With Paul Dano and John Cusack embodying the Beach Boys’ Brian Wilson, Bill Pohlad’s Love & Mercy is a triumph of performance and the creative force.
★★★★☆
A French Twin Peaks where crimes are investigated Clouseau-style, Bruno Dumont’s absurd black comedy P’tit Quinquin is both ‘policier’ and satire.
★★☆☆☆
Boasting a stellar cast of Dustin Hoffman, Eddie Izzard and Kathy Bates, François Girard’s The Choir belts out one disappointing cliché after another.
★★★★☆
Charting the rise, fall and rise again of Nina Simone, Liz Garbus’s What Happened, Miss Simone? creates an icon of the High Priestess of Soul.