The Hunter (2010)
★★★☆☆
Like an Iranian Falling Down, Rafi Pitts’ The Hunter pushes one man over the edge in a city seething with male anguish and state violence.
★★★☆☆
Like an Iranian Falling Down, Rafi Pitts’ The Hunter pushes one man over the edge in a city seething with male anguish and state violence.
★★★☆☆
Ruben Östlund’s quirky Involuntary juxtaposes five snapshots of silly season in contemporary Sweden, challenging the audience to create their own connections.
★★★☆☆
Roving the labyrinthine world of artist Anselm Kiefer, there’s more to Sophie Fiennes’ documentary Over Your Cities Grass Will Grow than just watching paint dry.
Tomorrow the London Film Festival finally opens its doors. And there are still plenty of tickets left, so here’s a little sneak preview to…
Read More★★★★☆
Cuffed and bound, a changing Romania is put in the dock in Corneliu Porumboiu’s Police, Adjective when a conscience-niggled policeman starts questioning the law.
★★★☆☆
One man, one coffin and 90 minutes’ oxygen, Rodrigo Cortés Buried is a deliciously claustrophobic one-hander for Ryan Reynolds. But can Cortés play by the rules?
★★★☆☆
Set deep in the bone-chilling Ozark woods, Debra Granik’s Winter’s Bone rides high on the national spectre of repossession and will make Jennifer Lawrence a star.
★★★☆☆
Jam-packed with gore, Yannick Dahan and Benjamin Rocher breathe new life into the undead with their hybrid gangster/horror flick The Horde.
★★★★☆
Pedro González-Rubio’s Alamar is a touching tale of paternal love afloat upon the drifting Mexican sea.
★★★★☆
A Rohmeresque ramble under the Tuscan sun, Kiarostami’s Certified Copy is a freewheeling battle of the sexes. And Juliette Binoche is in a bitter mood for love.
★★★☆☆
Based on a script by Jacques Tati, Sylvain Chomet’s The Illusionist is a lyrical love story for sugar daddies and sweet dreamers. As well as residents of Dunedin.
★★★☆☆
When her simple son is sent to prison for the murder of a local girl, Boon Joon-Ho’s Mother springs into action. Thank you, Mommie dearest.
★★★★☆
Replacing a passive-agressive, quarrelsome maid isn’t easy, as Sebastián Silva’s comic gem La Nana shows. It’s class conflict gone the family way.
★★★☆☆
With a heroin junkie and her dead lover’s gay brother hiding away together, François Ozon’s Le Refuge is a subdued meditation on parenthood and loss. It’s baby boom and bust.