In partnership with the Irish Film Board, Curzon Home Cinema kicks off a season celebrating the best in Irish cinema. The line-up includes the critically acclaimed and award-winning Parked and Waveriders, as well as Eden, Hill Street, Snap and Barbaric Genius.
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★★★☆☆
A superb performance from Tom Hardy and a cast of intriguing supporting characters saves this often rudderless New York based crime drama from the drop.
★★★★★
Life-affirming, powerful and utterly moving, this account of Scottish music icon Edwyn Collins is a truly remarkable achievement in filmmaking.
★★★★☆
Insightful and provocative, Laura Poitras’ firsthand account of the days preceding Edward Snowden’s explosive revelations is quietly momentous and powerful.
★★★★☆
Elegant, beautiful, magical and affecting, Tomm Moore’s Song Of The Sea is a touchstone for the continued importance of hand-drawn animation.
Set to a pulse-pounding soundtrack, Girlhood encapsulates the careless, giddy energy of teendom, but much like its protagonist, is a little confused with its…
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Carell, Ruffalo and Tatum are a stellar triumvirate in this unsettling and bone-chillingly creepy true story.
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Ferocious, electric and unrelenting, Simmons and Teller never miss a beat in Damien Chazelle’s phenomenal second feature. Whiplash [rating=5] by Dave O’Flanagan Boasting not…
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An entertaining modern Western with the magnetic Mads Mikkelsen, The Salvation is gorgeous to look at – but as hollow as a Ten-gallon hat.
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An excellent Argentine selection box of intricate short stories; crazy, caustic, and ingeniously clever.
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Life-affirming and utterly moving, this account of Scottish music icon Edwyn Collins is a truly remarkable achievement in filmmaking.
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A superb performance from Tom Hardy and a cast of intriguing supporting characters saves this often rudderless New York based crime drama from the drop.
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Coupled with an uncompromisingly bloated running time, Sergei Loznitsa’s sedate style of shooting renders this account of civil unrest in Kiev disengaging.
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Dukhtar [rating=2] by Dave O’Flanagan The prospect of Afia Nathaniel’s directorial debut was an intriguing one in light of Pakistan’s slow but steady shuffle…
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