The Ides Of March (2011)
★★★☆☆
Embroiled in politics corrupt and corrupting, George Clooney’s The Ides Of March charts the tragic fate of one man irredeemably lost, and on the way up.
★★★☆☆
Embroiled in politics corrupt and corrupting, George Clooney’s The Ides Of March charts the tragic fate of one man irredeemably lost, and on the way up.
There’s a lot to celebrate at this year’s London Film Festival – over 300 shorts and features with some gems from some of cinema’s…
Read More★★★★★
With Tilda Swinton’s soul-splintering performance as the mother of a high-school psychopath, Lynne Ramsay’s We Need To Talk About Kevin is killing me. Softly.
★★★★☆
Doomed love with a straight twist, Gus Van Sant’s Restless hides a Last Days morbidity in a quirky teenage romance between a terminally ill girl and a funeral mourner.
★★★★☆
Apathy and the black fight for civil rights, Göran Hugo Olsson’s Black Power Mixtape 1967-1975 scours the Swedish vaults for an all-American independence.
★★★★☆
With Ryan Gosling as an übercool, unnamed getaway driver, Nicolas Winding Refn’s Drive mixes LA heist movie with Melvillian lonerism for a sexy, seething delight.
★★★★☆
David Mackenzie’s Perfect Sense is a twist on both thriller and love story as a couple find each other while the world around them crumbles, sense by sense.
The 7th London Spanish Film Festival by Mark Wilshin With special strands for short films, Catalan and Basque features and a retrospective on Geraldine…
Read More★★★★☆
A tender waltz of self-restrained romance, ex-couple Vincent Lindon and Sandrine Kiberlain quietly explode in Stéphane Brizé’s autumn-hued Mademoiselle Chambon.
★★★☆☆
The portrait of the cross-dresser as a young boy, Céline Sciamma’s Tomboy explores a summer of sexual awakening and the limits of identity.
★★★☆☆
With its folkloric hellions and scatological asides, André Øvredal’s mockumentary of Northern frights, Troll Hunter, can’t quite decide if it’s horror or comedy.
★★★☆☆
Mona Achache’s adaptation of The Hedgehog is a touching, tragic tale of unlikely friendships and a contemporary take on the malaise of the Parisian bourgeoisie.
★★★★☆
Neither really a return to form for Almodóvar nor a Banderas reinvention, The Skin I Live In is good clean, honest fun. Like Frankenstein and no monster.
★★★★☆
Playing the waiting game, Noer and Lindholm’s R: Hit First, Hit Hardest reveals the bitter, cinematic truth about life behind bars in a Danish prison.