Patience (After Sebald) (2012)
★★★☆☆
Patience (After Sebald) sees Grant Gee’s richly-textured path meander through the Suffolk countryside and the work of the acclaimed Anglo-German writer.
★★★☆☆
Patience (After Sebald) sees Grant Gee’s richly-textured path meander through the Suffolk countryside and the work of the acclaimed Anglo-German writer.
★★★☆☆
Respected Afro-British director John Akomfrah’s haunting film The Nine Muses is an unusual, genre defying, literary based contemplation of migration, memory and the power of elegy.
★★★★★
Michael Fassbender is at his leg-tapping best in Steve McQueen’s Shame, a tale of lonely frustration, sexual addiction and grim redemption.
The Dirty Dozen Hm, the January blues. It’s enough to make you want to curl up inside a darkened room. Which is fortunate, as there…
Read More★★★☆☆
Prolific Franco-Chilean director, Raúl Ruiz’s penultimate film, Mysteries of Lisbon, is a labyrinthine, pan-European, Proustian epic that twists and turns across the generations.
★★★★★
With dazzling performances from Jean Dujardin and Bérénice Bejo, Michel Hazanavicius’ The Artist is a vibrant homage to silent films and the talkies’ falling stars.
★★★☆☆
A slowly elegant meditation on intimacy and friendship, Pablo Giorgelli’s Las Acacias will have you screaming from the back seat with glee,”Are we nearly there yet?”
★★★☆☆
Our man in the Vatican, Nanni Moretti’s We Have A Pope delights both in the vibrant ritual of the papal conclave and rattling its cardinals’ chasubles.
★★★★☆
With thunderous performances by Jessica Chastain and Michael Shannon, Jeff Nichols’ Take Shelter is a mind blowing twister of mental illness, austerity America and the apocalypse.
★★★★☆
Documenting five testimonies of San Francisco’s AIDS crisis, Bill Weber and David Weissman’s We Were Here brings the battle to the people.
★★★★☆
With a career redefining performance from Rachel Weisz, Terence Davies’ The Deep Blue Sea is a tour de force of classic filmmaking and nostalgia.
★★★☆☆
“Heathcliff, it’s me, Cathy come home,” Andrea Arnold drops the high drama of Emily Brontë’s Wuthering Heights in return for an opulence of visual treats.
★★★★☆
Revisiting Louis Malle’s Le Feu Follet and the existential malaise, Joachim Trier’s Oslo, August 31st casts a beautiful eye over the death of summer.
★★★★☆
A Nottingham-set gay love story, Andrew Haigh’s Weekend is love in the real lane – tender, confusing and painful. It’s funny, but it ain’t no hom-com.