Ismael’s Ghosts (2017)
★★★☆☆
Arnaud Desplechin’s Ismaël’s Ghosts is an abstract, at times melodramatic, interweaving of nightmare, filmmaking, fiction and reality.
Charlotte Gainsbourg
Cannes review: Ismaël’s Ghosts (2017)
★★★★☆
Arnaud Desplechin’s Ismaël’s Ghosts is an abstract, at times melodramatic interweaving of nightmare, filmmaking, fiction and reality.
Festival Review: Every Thing Will Be Fine (2015)
★★★☆☆
A gloriously atmospheric 3D thriller, Wim Wenders’ Every Thing Will Be Fine charts the soul’s repair after a bruising trauma.
Nymphomaniac (2013)
★★★★☆
A riot of sex, literary references and A-list performances in two volumes, Lars von Trier’s Nymphomaniac is an erotic catechism on the agony and the ecstasy.
Berlin Film Festival 2014: Day 4
If yesterday was love, then today it’s sin, walking the Via Dolorosa (literally) with Stations Of The Cross and Cavalry as well as mortifying…
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Nobody’s Daughter Haewon (2013)
★★★☆☆
Like someone in love, Hong Sangsoo’s Nobody’s Daughter Haewon draws out the loneliness of youth as a pretty student negotiates family, love and relationships.