Review Of The Year: 2013
In black and white or riotous colour, here’s a quick look back over the best and worst films of 2013 and a sneak preview of the movies to watch out for in 2014.
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All Is Lost (2013)
★★★★☆
All is Lost is a one-man tour de force that will either crown Robert Redford’s acting career so far or signal his return to it after concentrating on his Sundance Festival.
Blue Is The Warmest Colour / La Vie d’Adèle (2012)
★★★★☆
Courting controversy all the way from Cannes, Abdellatif Kechiche’s Blue Is The Warmest Colour puts the graphic back into graphic novel.
Seduced And Abandoned (2013)
★★★★☆
A documentary shot at the Cannes Film Festival in 2012, James Toback’s Seduced And Abandoned explores the unique aura of the festival itself, cinema art, money, glamour and death.
Reality (2012)
★★★★☆
Matteo Garrone’s Reality is a well thought-out satire on fame and the pursuit of celebrity in Berlusconi’s reality TV-obsessed Italy.
Sightseers (2012)
★★★★☆
Where do British serial killers go on holiday? Caravanning in the Lake District, of course.
Amour / Love (2012)
★★★★☆
An intimate two-hander between Jean-Louis Trintignant and Emmanuelle Riva, Michael Haneke’s Amour sneaks a peek at love behind Parisian closed doors.
Eleven in 2011
The Dirty Dozen Hm, the January blues. It’s enough to make you want to curl up inside a darkened room. Which is fortunate, as there…
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The Tree Of Life (2011)
★★★★☆
Set alight by a family tragedy, Terrence Malick’s beautiful The Tree Of Life spirals out from a son’s death into a divine celebration of life.
Des Hommes Et Des Dieux / Of Gods And Men (2010)
★★★★☆
A sublime look into the hearts and minds of tormented monks, Xavier Beauvois’ Of Gods And Men reveals the battle between humanity and divinity in all of us.
Leap Year / Año Bisiesto (2010)
★★★★☆
Minimalism on a microbudget, Michael Rowe’s Camera d’Or winning Mexican debut Leap Year is a masochist’s delight. With an Australian fascination for light.
Uncle Boonmee Who Can Recall His Past Lives (2010)
★★★☆☆
A hypnotic journey into reincarnation, monkey gods and talking catfish, Apichatpong Weerasethakul’s Uncle Boonmee is a puzzling but award-winning controversy.