The Beguiled (2017)
★★★★☆
Sofia Coppola’s The Beguiled is compelling Southern Gothic, richly textured and deeply feminine.
Cannes Film Festival
The Death of Louis XIV (2016)
★★★★☆
Albert Serra’s compelling film about the slow death of the Sun King features an extraordinary performance by the legendary Jean-Pierre Léaud.
Okja (2017)
★★★★☆
Netflix’s Okja is Bong Joon-ho’s and Jon Ronson’s satire-cum-expose of the genetically modified food industry through the adventures of a delightful Korean girl and an outsize giant pig.
Sundance London: Bushwick (2017)
★★★★☆
Bushwick by Cary Murnion and Jonathan Milott is an action-filled dark imagining of civil war in the streets of Brooklyn.
Cannes Film Festival prizewinners 2017
★★★★☆
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Cannes review: Before We Vanish (2017)
★★★★☆
Before We Vanish by Kiyoshi Kurosaw is a genre-bending Japanese bodysnatchers movie that provokes an alien apocalypse on Earth.
Cannes review: The Desert Bride (2017)
★★★★☆
The Desert Bride (La Novia del Desierto) is a charming Argentinian road move about a late-life blossoming.
Cannes review: Bright Sunshine In (2017)
★★★★☆
Juliette Binoche stars in a rom-com departure for Claire Denis in Bright Sunshine In (Un Beau Soleil Interior).
Cannes review: A Man of Integrity (Lerd) (2017)
★★★★☆
Mohammad Rasoulof laments institutional corruption in Iranian society in A Man of Integrity (Lerd).
Cannes review: Wind River (2017)
★★★★☆
Taylor Sheridan’s heart is on his sleeve in his directorial debut in gripping, atmospheric Native American thriller Wind River.
Cannes review: 24 Frames (2017)
★★★★☆
Abbas Kiarostami’s experimental, posthumous 24 Frames is a meditative insight into a great filmmaker’s creative process.
Cannes review: Rodin (2017)
★★★★☆
Rodin is a ploddingly, inexplicably uninteresting biopic of the revolutionary sculptor by Jacques Doillon.
Cannes review: Good Time (2017)
★★★★☆
A manic night of nonstop motion ensues as a small-time bank robber tries to free his brother in the Safdie brothers’ ironically titled thriller Good Time.
Cannes review: Happy End (2017)
★★★★☆
Michael Haneke’s Happy End deconstructs a wealthy bourgeois family living a life oblivious to the human beings around them with chilling results.