Festival Review: Chi-Raq (2016)
★★★★★
A dazzling rap musical against the epidemic of gun violence amongst Chicago’s black communities, Spike Lee’s Chi-Raq is sensational.
★★★★★
A dazzling rap musical against the epidemic of gun violence amongst Chicago’s black communities, Spike Lee’s Chi-Raq is sensational.
★★☆☆☆
Following a Mexican teenager on his journey from immigrant to green card holder, Rafi Pitts’ Soy Nero seethes with palpable discomfort.
★★☆☆☆
An evocative period drama of forbidden love, Pernilla August’s em>A Serious Game is disappointingly short on characterisation and emotion.
★★☆☆☆
A portrait of Chilean society waking up to homosexuality, Alex Anwandter’s You’ll Never Be Alone turns homophobia into a vigilante fight for justice.
★★☆☆☆
An ambitious portrait of modern China, Yang Chao’s Crosscurrent is a poetic knot of yearning, mourning and the shifting sands of time.
★★☆☆☆
Set in the multilayered world of a hotel, Danis Tanovic’s Death In Sarajevo begs the question whether we really need a metaphor for the Balkans.
★★★☆☆
Adapted from Kristian Lundberg’s autobiographical novel, Måns Månsson’s Yarden is a parable of entitlement that turns welcomingly political.
★★★★☆
Set in Austria’s musical circles, Klaus Händl’s sensuous and delicate Kater sees an idyll of gay love torn asunder by a moment of violence.
★★★★☆
Half-documentary, half-fiction, Gianfranco Rosi’s Fuocoammare paints a portrait of life on Lampedusa with its fishing traditions and new waves of migrants.
★★★★☆
Vibrant, ridiculous and bombastic, Denis Côté’s Boris Without Beatrice treads a deliciously new path of metaphor and internalised anxiety.
★★★★☆
A riotous romp through Hollywood’s golden age, the Coen brothers’ Hail, Caesar! is a hilarious tribute to the (strangely religious) cult of cinema.
★★★☆☆
A tale of personal and political freedoms, Mohamed Ben Attia’s Hedi finds a troubled revolution in Tunisia’s deserted tourist resorts.
★★★★☆
Beautifully paced and scripted, Dagur Kári’s Virgin Mountain is the deft tale of an ageing mummy’s boy who finds both love and himself.
★★★★☆
With powerful performances from Tom Courtenay and Charlotte Rampling, Andrew Haigh’s 45 Years looks back in anger on love.