In Order Of Disappearance / Kraftidioten (2014)
★★★★☆
A Norwegian satire on mob warfare and Nordic habits, Hans Petter Moland’s In Order Of Disappearance is a hilarious comedy that takes us beyond ordinary scruples.
★★★★☆
A Norwegian satire on mob warfare and Nordic habits, Hans Petter Moland’s In Order Of Disappearance is a hilarious comedy that takes us beyond ordinary scruples.
★★★★★
Richard Linklater’s intimate portrayal of growing up is an intoxicating combination of humour, melancholy and unbridled hope that will mean something to everyone.
★★★★☆
With a spectacular, single-handed performance from Juliette Binoche, Bruno Dumont’s Camille Claudel 1915 looks at the pained loneliness of a woman put out to pasture.
★★★★☆
Hossein Amini’s The Two Faces Of January is a stylish adaptation of a Patricia Highsmith thriller as a married couple and a stranger get drawn deeper into a dangerous relationship of mutual dependence.
★★★★☆
Following in the footsteps of a Roma family struggling to survive, Danis Tanovic’s An Episode In The Life Of An Iron-Picker finds the documentary in fiction.
★★★☆☆
With its story of a good priest getting ready to meet his maker, John Michael McDonagh’s Calvary puts the Catholic Church on trial.
★★★☆☆
Undressing the high life of the fashion designer, his label, loves and lows, Jalil Lespert’s Yves Saint Laurent cuts a fine figure.
★★★★☆
With a cast list as long as your livery-sleeved arm, Wes Anderson’s The Grand Budapest Hotel is a colourful romp through the bright lights of Old Europe.
★★★★☆
A riot of sex, literary references and A-list performances in two volumes, Lars von Trier’s Nymphomaniac is an erotic catechism on the agony and the ecstasy.
With jury president producer James Schamus at the helm, the 64th Berlin Film Festival sees a lot of Eastern promise with Awards for both China and Japan.
Read MoreFathers and sons are the order of the day again today. Starting with Sudabeh Mortezai’s Macondo, which bears a striking thematic resemblance to both…
Read MoreMasculinity takes charge in today’s Berlinale selection, starting with Ning Hao’s No Man’s Land – a Chinese Western of silent, bone-crunching machismo as a…
Read MoreMaybe it’s me. Or maybe it’s the films. But today’s Competition selection makes for depressingly ambiguous viewing. First there’s Argentinian director Celina Murga’s La…
Read MoreAll’s fair in love and war. But in Feo Aladag’s war film Zwischen Welten, it seems like nothing’s really fair. Following an Afghani interpreter…
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