Festival Review: 45 Years (2015)
★★★★☆
With brilliant performances from Rampling and Courtenay, Andrew Haigh’s 45 Years is an intense observation of a lifetime of marriage unravelled in one week.
★★★★☆
With brilliant performances from Rampling and Courtenay, Andrew Haigh’s 45 Years is an intense observation of a lifetime of marriage unravelled in one week.
★★☆☆☆
A bombastic wannabe epic about desert explorer Gertrude Bell, not even Kidman and Franco can save Werner Herzog’s The Queen Of The Desert.
★★★★☆
Turning the camera upon himself for the third time, Jafar Panahi’s Taxi is a moving portrait of the politics of filming and the filming of politics.
★★★☆☆
A mesmerising portrait of the loneliness of the beautiful, Lírio Ferreira’s Blue Blood is an enigmatic blend of circus, ballet and cinema.
★★★☆☆
A powerful dramatisation of Martin Luther King’s final battle, Ava DuVernay’s Selma is a moving account of the march on racism and the man behind the movement.
★★★☆☆
Shifting the story from polar explorer Peary to his wife, Isabel Coixet’sNobody Wants The Night offers a distinctly female slant on colonisation.
★★★★☆
Did video kill the radio? Nicolas Philibert uncovers the mystery of the medium in his warmly human documentary La Maison de la Radio.
★★★★☆
Going back to the future through interviews with Switzerland’s first gay married couple, Stefan Haupt’s half-documentary The Circle reveals a postwar openness ahead of its time.
★★★☆☆
A Brazilian tale of blind love, Daniel Ribeiro’s The Way He Looks is a lyrical mood piece of adolescent self-discovery but short on feeling.
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With an explosive performance from Jack O’Connell, Yann Demange’s ’71 leads us through the backstreets of the Troubles, quite literally.
The Way He Looks Love is blind. And all the more so for Leo (Ghilherme Lobo), a São Paulo teenager with not much going…
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