Greenery Will Bloom Again / Torneranno i prati (2014)
★★★★☆
A stunning portrait of life in the trenches during the Great War, Ermanno Olmi’s Torneranno i prati is a handsome tribute to loneliness and fear.
Berlinale
Festival Review: Chasuke’s Journey (2015)
★★★☆☆
Despite a promising concept of heavenly screenwriters, Sabu’s Chasuke’s Journey ends in an occasionally visually arresting but hare-brained disappointment.
Festival Review: Cinderella (2015)
★★☆☆☆
A live action remake of Disney’s cartoon classic, Kenneth Branagh’s Cinderella is saved by great performances from Cate Blanchett and Helena Bonham Carter.
Festival Review: Big Father, Small Father And Other Stories / Cha và con và (2015)
★★★☆☆
An atmospheric evocation of life on the banks of the Saigon River, Dang Di Phan’s Big Father, Small Father And Other Stories is a gently haunting muddle.
Festival Review: The Misplaced World / Die Abhandene Welt (2015)
★★☆☆☆
Despite all-singing performances from Katja Riemann and Barbara Sukowa, Margarethe von Trotta’s The Misplaced World still makes for a jarring thriller.
Festival Review: Fassbinder To Love Without Demands (2015)
★★★★☆
With unique archive footage, Christian Braad Thomsen’s Fassbinder To Love Without Demands delivers an honest and intelligent portrait of the German director.
Festival Review: Sworn Virgin / Vergine Giurata (2015)
★★★★☆
With a great performance from Alba Rohrwacher, Laura Bispuri’s Sworn Virgin is a stunning but underwhelming glimpse into celibacy in the Albanian mountains.
Festival Review: Elser / 13 Minutes (2015)
★★★☆☆
What can change a man from pacifist to freedom fighter? Oliver Hirschbiegel’s 13 Minutes pays tribute to the German resistant Georg Elser.
Festival Review: Gone With The Bullets (2014)
★☆☆☆☆
A carnival of singing, dancing, car chases and bullets, Wen Jiang’s Gone With The Bullets gets lost in an amorphous hall of mirrors.
Festival Review: Aferim! (2015)
★★☆☆☆
A black and white romp through 19th century Romanian feudalism, what Radu Jude’s Aferim! lacks in substance, it makes up for in style.
Festival Review: 54 The Director’s Cut (2015)
★★★★☆
Chosen to premiere at Berlin (home of Cabaret), Mark Christopher’s 54: The Director’s Cut recreates a bygone age of synth-infused hedonism.
Festival Review: Nasty Baby (2015)
★★★☆☆
The comic story of a New York gay couple trying for a baby with their 30-something best friend, Sebastián Silva’s Nasty Baby falls apart in the final reel.
Festival Review: Under Electric Clouds (2015)
★★★☆☆
A murky wander through Mother Russia past, present and future, Alexey German’s Under Electric Clouds is an ambitious feat of national navel-gazing.
Festival Review: Body / Cialo (2015)
★★★☆☆
Anorexia, ghosts and the broken bond between father and daughter, Malgorzata Szumowska’s Body is a finely acted black comedy about laying grief to rest.