Orlando, My Political Biography (2023) (Orlando, Ma Biographie Politique)
★★★☆☆
Orlando, My Political Biography by trans activist Paul B Preciado is a moving documentary inspired by Virginia Woolf’s novel.
★★★☆☆
Orlando, My Political Biography by trans activist Paul B Preciado is a moving documentary inspired by Virginia Woolf’s novel.
★★★☆☆
The Heart of an Oak, directed by Laurent Charbonnier and Michel Seydoux, edited by Sylvie Lager, is a year of magnificent photography in the life of the creatures – animals, birds and insects – that live in or around a huge 200-year-old oak tree in a forest in France.
★★★★☆
Elaha, directed by Milena Aboyan, is a powerful contemporary story about the conflict between tradition and modernity in the life of a young girl from an immigrant family in Germany.
★★★★☆
Opponent, written and directed by Milad Alami, is a powerful, must-see film about the refugee experience and conflicted desires.
★★★★☆
Reas is an extraordinary documentary and musical by Lola Arias set in a women’s prison in Argentina, unlike anything you have seen before.
★★★★☆
The Editorial Office, the second film by Ukrainian Roman Bondarchuk, is a vicious, powerful satire of a post-truth world.
★★★★☆
My Summer with Irène, directed by Carlo Sironi, is a beautiful summer elegy by the sea for two girls together.
★★★★☆
My New Friends written and directed by André Téchiné is an absorbing debate on a contemporary issue starring the wonderful Isabelle Huppert.
★★★☆☆
Heart-warming coming-of-age story Young Hearts is award-winning Anthony Schatteman’s feature debut at the Berlinale.
★★★☆☆
The Visitor is a provocative feature allegory of contemporary British issues by Bruce LaBruce, the Canadian artist, writer, filmmaker, photographer and underground director.
★★★★☆
Berlinale 2024: line-up
★★★★☆
Dale Dickey plays a widow reflecting on life and love and the possibility of connection with an old friend in writer/director Max Walker-Silverman’s tender character study A Love Song.
★★★★☆
Berlinale Winners 2022
★★★★☆
A Memory Box triggers delayed reconciliation between past and present in Joana Hadjithomas’s deeply personal, emotional intergenerational drama.