Rebecca (2020)
★★★☆☆
Ben Wheatley’s lavish take on Rebecca, though truer to Daphne du Maurier’s novel, can’t help but be overshadowed by the iconic Hitchcock version.
Alfred Hitchcock
Hail, Caesar! (2016)
★★★★☆
A riotous romp through Hollywood’s golden age, the Coen brothers’ Hail, Caesar! is a hilarious tribute to the (strangely religious) cult of cinema.
Queen and Country (2014)
★★★☆☆
A sequel to his Oscar-nominated Hope And Glory, John Boorman’s semi-autobiographic Queen and Country finds all fair in love and war.
The Falling (2014)
★★☆☆☆
As a wave of falling sickness takes over an all-girls school, Carol Morley’s The Falling plucks female empowerment from a maelstrom of teenage desire.
White Bird In A Blizzard (2014)
★★★☆☆
As one girl comes to terms with the strange disappearance of her mother, Gregg Araki’s White Bird In A Blizzard gets under the skin of a family mystery.
London Film Festival 2014: Phoenix
Phoenix [rating=4] by Mark Wilshin Loosely based on extracts from Hubert Monteilhet’s Le Retour Des Cendres, Christian Petzold’s Phoenix plays a dangerous game with…
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Salomé (2013)
★★★★☆
Converting a reading of Oscar Wilde’s banned play into a film, Al Pacino’s Salomé might share the credit, but brings his passion for the theatre vividly to the screen.
Milius (2013)
★★★☆☆
The making of a legend, Joey Figueroa and Zak Knutson’s bio-documentary Milius uncovers the gun-toting storyteller and filmmaker that took Hollywood on and lost.
The Place Beyond The Pines (2012)
★★★★☆
An infinite circle of fatherhood and wrongdoing, Derek Cianfrance’s The Place Beyond The Pines is a cinematic triptych of masculinity in crisis.
Hitchcock (2012)
★★★☆☆
Despite great performances from a stellar cast, Sacha Gervasi’s Hitchcock muddles between biopic, a making of and a troubled marriage drama.